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decision based evidence making
An illogical and non-authoritative bundle of words, accumulated more as a rule-off than a come-on. The sections 1.0 A list of the titles of songs that are not accessible for listening to here' A seperate book exists of these too. Wastfully. 2.0 Introductions and instructions 4.0 Prefaces: Whys. Notes to myself. Mainly from one period 331.0 A catalogue of inventions 348.0 Notes to self. Mainly from a different period 414.0 Trying to note what happens when I write by hand 415.0 Faux science. A train of thought that falls from the track 418.0 Original Artist. Originality, "That old chestnut." 536.0 Was Jesus bipolar? 538.0 Redundant revelations. The difference between a human and all other life-forms, when I started to remember 610.0 A discussion on Facebook around an invented quotation. 611.0 Notes to myself, often from long ago, but spruced up 721.0 Sport versus War. 723.0 Ideas for films 753.0 !Gib(the subtitler) 754.0 Guaranteed, outline of a television serial 755.0 ...etcetera
Going Global
Going Global: the landscape for policy makers and practitioners in tertiary education provides an analysis of the current international higher education landscape, touching on the important trends in international higher education and how it can meet the 'challenges' arising from today's economic and political climate
Creative Camera
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Explorations in Art and Technology
Explorations in Art and Technology presents the explorations in Art and Technology of the Creativity & Cognition Research Studios. The Studios were created to bring together the visions and expertise of people working at the boundaries of art and digital media. The book explores the nature of intersection and correspondence across these disciplinary boundaries, practices and conceptual frameworks through artists' illustrated contributions and studies of work in progress. These experiences are placed within the context of recent digital art history and the innovations of early pioneers.
C/ID
Survey of the thirty best recent design work for cultural clients, including galleries, museums, theatres and auditoriums. The focus is on new identities and their application, as well as smaller design solutions as gallery guides, promotional programmes, exhibition catalogues, theatre programmes, branded merchandising, websites, signage systems and temporary exhibition design.
Girl
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So Communication--
"In a series of performances across the globe, artist Clare Charnley has attempted to communicate speeches, written by local collaborators and utilising a diverse range of languages from Chinese to Estonian, none of which she understands. So communication ... collects works, many newly commissioned for the book, by an international selection of academics, visual artists, photographers and writers illuminating themes drawn from Charnley's performances, in essay, polemic, photography, and short-fiction."--[P. 4] of cover
Sensing and Making Sense
Through a genealogy of photosensitive elements in media devices and artworks, this book investigates three dichotomies that impoverish debates and proposals in media art: material/immaterial, organic/machinic, and theory/practice. It combines historical and analytical approaches, through new materialism, media archaeology, cultural techniques and second-order cybernetics. Known media stories are reframed from an alternative perspective, elucidating photosensitivity as a metonymy to provide guidelines to art students, artists, curators and theoreticians - especially those who are committed to critical views of scientific and technological knowledge in aesthetic experimentations.
Artscribe
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