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American Paintings and Sculpture at the Sterling and Francine Clark Art Institute
68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.
The Clark
The Sterling and Francine Clark Art Institute in Williamstown, Mass., which opened in 1955, was founded by an heir to the Singer sewing machine fortune, Robert Sterling Clark (1877-1956), who began collecting art in Paris in 1911. He had a strong interest in 19th-century painters, particularly the French impressionists and Americans Winslow Homer and John Singer Sargent, but the museum also has old-master paintings, prints, drawings, decorative arts, sculpture and illustrated books. Eighty-four of these are reproduced in fine color in this elegant volume. Included are such disparate works as Virgin and Child Enthroned with Four Angels by Piero della Francesca; the once immensely popular Nymphs and Satyr by Bouguereau; paintings by Monet, Renoir and other impressionists; decorative urns, cups and baskets in silver and porcelain; and a sheet of pen-and-ink animal studies by Albrecht Durer. The accompanying essays, by 10 current and former staff members, are insightful and readable. This is a splendid introduction to a small, delightful collection. 88 colour & 5 b/w illustrations
Nineteenth-century European Paintings at the Sterling and Francine Clark Art Institute
The core of the Clark's collection was assembled by Robert Sterling Clark (1877-1956), who once declared, "I like all kinds of art if it is good of its kind." This monumental, two-volume publication is the first fully documented catalogue of the Institute's collection of European paintings. The quality of this collection reflects the founder's philosophy in its inclusion of masterpieces as diverse as William-Adolphe Bouguereau's Nymphs and Satyr (1873) and Pierre-Auguste Renoir's A Box at the Theater (1880); works by academic painters such as Jean-Léon Gérôme; Barbizon painters such as Camille Corot and Jean-François Millet; and the Impressionists Camille Pissarro and Edgar Degas. More r...
Winslow Homer
Winslow Homer (1836-1910) is one of the core figures of 19th-century American art. While most well-known for his oil paintings of Civil War scenes and the windswept Atlantic coastline, Homer's oeuvre encompasses a variety of themes, ranging from childhood games through the life-and-death struggles of man and nature. The Clark Art Institute holds one of the greatest collections of Homer's work across all media, including wood engravings, etchings, watercolors, drawings, and paintings from nearly all phases of his career. The collection was assembled predominately by Robert Sterling Clark (1877-1956), who purchased his first Winslow Homer painting in 1915, followed by Two Guides in 1916 and ma...
The Art of All Colours
This volume explores the history and interpretation of mediaeval technical treatises on the arts, and includes a catalogue of over 400 manuscript sources, many of them largely unknown.
Mary Newcomb
On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: "I wanted [...] to remind ourselves that--in our haste--in this century--we may not give time to pause and look--and may pass on our way unheeding." This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist. Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm wi...
The Clark Brothers Collect
Brothers Sterling and Stephen Clark—heirs to the Singer sewing machine fortune—were among the twentieth century’s most influential art collectors. This volume examines their magnificent collections, their personal lives and public profiles, and their significant roles in the history of American museums. While the brothers shared a love for great art, they collected in different ways. Sterling was a private collector; his French Impressionist masterpieces, including thirty-eight Renoirs, and works by such American artists as Winslow Homer, John Singer Sargent, Frederic Remington, and Mary Cassatt now form the distinguished collection of the Clark. Stephen, a businessman and museum trust...
