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The Art of All Colours
This volume explores the history and interpretation of mediaeval technical treatises on the arts, and includes a catalogue of over 400 manuscript sources, many of them largely unknown.
British and Irish Art 1945-1951
Summary: This book puts history back into the history of art. It approaches the British and Irish art worlds from the historical viewpoint, avoiding theories unsupported by facts. By studying the intricate mechanisms whereby artists turned oil on canvas into money - or not - the book explains how artists' reputations were made or broken. Individual artists discussed include Francis Bacon, Lucian Freud, Henry Moore, John Piper, Graham Sutherland, Jacob Epstein, Ben Nicholson, Barbara Hepworth and many more. Readers will be startled and intrigued to find how such artists fought to survive amid the network of powerful individuals, critics and gallery owners that controlled their destinies.
Clark Little
Instagram sensation Clark Little shares his most remarkable photographs from inside the breaking wave, with a foreword by world surfing champion Kelly Slater. “One of the world’s most amazing water photographers . . . Now we get to experience up-close these moments of bliss.”—Jack Johnson, musician and environmentalist Surfer and photographer Clark Little creates deceptively peaceful pictures of waves by placing himself under the deadly lip as it is about to hit the sand. "Clark's view" is a rare and dangerous perspective of waves from the inside out. Thanks to his uncanny ability to get the perfect shot--and live to share it--Little has garnered a devout audience, been the subject o...
Shadow and Light
"Published on the occasion of the opening of the Clark Center, July 4, 2014."
Mary Newcomb
On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: "I wanted [...] to remind ourselves that--in our haste--in this century--we may not give time to pause and look--and may pass on our way unheeding." This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist. Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm wi...
Picasso and Truth
A groundbreaking reassessment of Picasso by one of today's preeminent art historians Picasso and Truth offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early The Blue Room to the later Guernica, eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined—too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Pica...
The Unknown Monet
This book is the first to focus on Monet's pastels, drawings, and sketchbooks, offering a revolutionary new interpretation of the artist's life and work. Citing recently discovered, unpublished documents, the authors reveal an extensive group of graphic works created over the course of the artist's career.
The Clark
The Sterling and Francine Clark Art Institute in Williamstown, Mass., which opened in 1955, was founded by an heir to the Singer sewing machine fortune, Robert Sterling Clark (1877-1956), who began collecting art in Paris in 1911. He had a strong interest in 19th-century painters, particularly the French impressionists and Americans Winslow Homer and John Singer Sargent, but the museum also has old-master paintings, prints, drawings, decorative arts, sculpture and illustrated books. Eighty-four of these are reproduced in fine color in this elegant volume. Included are such disparate works as Virgin and Child Enthroned with Four Angels by Piero della Francesca; the once immensely popular Nymphs and Satyr by Bouguereau; paintings by Monet, Renoir and other impressionists; decorative urns, cups and baskets in silver and porcelain; and a sheet of pen-and-ink animal studies by Albrecht Durer. The accompanying essays, by 10 current and former staff members, are insightful and readable. This is a splendid introduction to a small, delightful collection. 88 colour & 5 b/w illustrations
Fighting on All Fronts
John Rothenstein, son of Sir William Rothenstein, the celebrated portrait painter, was born in 1901, four years after the Tate Gallery had been founded as the national gallery of British art. When Rothenstein took over as its fifth director in 1938, the Tate was in serious trouble: after 1917 when its remit was extended to include the national collection of modern foreign art, the confused dual purpose had placed an intolerable burden on those required to manage an institution still partly controlled by the National Gallery. Furthermore, it had no purchasing budget from the Government and was bound to accept often inappropriate pictures imposed on it by the Royal Academy under the terms of t...
Kenneth Clark: Life, Art and Civilisation
SHORTLISTED FOR THE BERGER PRIZE FOR BRITISH ART HISTORY 2017 SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2017 A SUNDAY TIMES ART BOOK OF THE YEAR A SPECTATOR BOOK OF THE YEAR AN ECONOMIST BOOK OF THE YEAR A NEW YORK TIMES ART BOOK OF THE YEAR
