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The M Pages
A brilliant, moving book . . . Reminiscent of one of this century’s great elegies, Denise Riley’s A Part Song, The M Pages is similarly probing, hurt, skeptical and smarting . . . in a book packed with good poems.' Irish Times The reader might be justified in thinking that the ‘M’ in the title of Colette Bryce’s new collection could stand for ‘mortality’, ‘mourning’, or the spontaneous and cathartic practice of the writer’s ‘morning pages’ – until they reach the book’s arresting central sequence. Addressed to a named ‘M’ who has suddenly died, this fourteen-part poem depicts the experience of unexpected bereavement, and the altering effect such events have on ...
Selected Poems
Shortlisted for the Poetry Pigott Prize in association with Listowel Writers’ Week Through four highly acclaimed collections, Colette Bryce has steadily consolidated her position as one of the most important of the younger generation of Irish poets. Possessed of a preternaturally acute ear and eye, Bryce is the recorder and observer of tense times: perhaps no contemporary poet has better mapped the fault-lines of nation and family, of love and tribal loyalty, of landscape and border. In all this, Bryce again and again declares the primacy of song as a redemptive practice, and a glorious end in itself: no voice is more accurately pitched or effortlessly musical. Selected Poems draws together the best of her poetry from The Heel of Bernadette to The Whole & Rain-domed Universe, winner of the Ewart-Biggs Award, and is a marvellous introduction to the range and sweep of Bryce’s work.
The Heel of Bernadette
Colette Bryce’s first collection is a book of songs: songs of kinship and desire, Ireland and Spain, of myth and belief. Bryce's sensuous and sinuous verse follows the convoluted lines of fate and political divide, and turns on questions of love and faith – the poet’s relentlessly clarifying sense leaving them strengthened or shaken. In its insistent music – whatever dark and surreal turns it might take – Bryce’s poetry is ultimately a celebration of singing and of singing out, for its own sake. The Heel of Bernadette announces one of the most unusual and distinctive voices to have emerged from Northern Ireland for a generation.
Self-portrait in the Dark
Features poems which are 'slant tellings' that reveal strange and true reflections. This title examines the ways in which time is held, space enclosed - and a life framed and given meaning: a face in a broken mirror, a spider trapped under a glass, or a stolen kiss in a car-wash.
The Whole & Rain-domed Universe
The Whole & Rain-domed Universe is Colette Bryce's much-anticipated follow-up to Self-Portrait in the Dark. The book presents the reader with an extraordinarily clear-eyed, vivid and sometimes disturbing account of growing up in Derry during the Troubles, with many ghosts both raised and laid to rest. The Whole & Rain-domed Universe is a riveting poetic document of the time; Bryce turns her clear, singing line to darker ends than she has before, describing not just the warmth and eccentricity of family and the claustrophobia of home-life, but also the atmosphere of suspicion, and the real and present threat of terrible violence. Bryce is one of the most widely acclaimed poets of the post-Heaney generation, and this is her most directly personal and compelling work to date.
The Full Indian Rope Trick
Colette Bryce's The Heel of Bernadette was one of the most highly praised new collections of recent years, winning both the Aldeburgh Prize for best first collection, and the Strong Award for best new Irish poet. Her second, The Full Indian Rope Trick – the title poem already the winner of the 2003 National Poetry Competition – sees a leap forward in confidence and range, with Bryce's dark lyric and darker wit finding many different voices. Whatever subject the poet takes – an Ulster childhood and the child's growing awareness of her divided community, the surreal life of the natural world, or the more disturbing shadows thrown by our love and desire – it is always addressed with both a compelling emotional candour and an astonishingly musical intelligence. Pillar Talk That magician/who stationed himself on a pillar/over Manhattan/for thirty-five hours/knows nothing whatever/of loneliness/or how it is/for people like us/who have no soft acre/of cardboard boxes/not even the eggshell/flashbulbs of the press/or the well-meant antics/of neighbours with a mattress/to temper the thought/of the hard, hard earth,/to break the fall./Nothing at all.
The Whole and Rain-domed Universe
The Whole & Rain-domed Universe is Colette Bryce's much-anticipated follow-up to Self-Portrait in the Dark. The book presents the reader with an extraordinarily clear-eyed, vivid and sometimes disturbing account of growing up in Derry during the Troubles, with many ghosts both raised and laid to rest. The Whole & Rain-domed Universe is a riveting poetic document of the time; Bryce turns her clear, singing line to darker ends than she has before, describing not just the warmth and eccentricity of family and the claustrophobia of home-life, but also the atmosphere of suspicion, and the real and present threat of terrible violence. Bryce is one of the most widely acclaimed poets of the post-Heaney generation, and this is her most directly personal and compelling work to date.
In the Chair
All of the poets interviewed in this collection are from Northern Ireland, all were born after 1920, and each has published at least one volume of poetry. Arranged chronologically by each poet's date of birth, this collection deals with an impressive body of work. The poets include Seamus Heaney, Paul Muldoon, Michael Longley, John Montague, Derek Mahon, Ciaran Carson, as well as less-known voices, including Gerald Dawe, Roy McFadden, and Conor O'Callaghan. The interviews explore the poet's work and development, the social/historical context, and the impact of assimilated influences. If they explore a poetry often rooted in "the North," they also suggest the individuality and diversity of this poetry, of work whose imaginative range is not circumscribed by either literal borders or critically convenient categories. The other poets included are: James Simmons, Tom Paulin, Frank Orsmby, Medbh McGuckian, Robert Greacen, Cathal P Searcaigh, Colette Bryce, Moyra Donaldson, Jean Bleakney, Martin Mooney, Padraic Fiacc, and Cherry Smyth.
100 Queer Poems
Mary Jean Chan and Andrew McMillan's luminous anthology, 100 Queer Poems, is a celebration of thrilling contemporary voices and visionary poets of the past. Featuring Elizabeth Bishop, Langston Hughes, Ocean Vuong, Carol Ann Duffy, Kae Tempest and many more. * A Guardian Best Poetry Book of the Year * * Shortlisted for the Books Are My Bag Readers Awards * Encompassing both the flowering of queer poetry over the past few decades and the poets who came before and broke new ground, 100 Queer Poems presents an electrifying range of writing from the twentieth century to the present day. Questioning and redefining what we mean by a 'queer' poem, you'll find inside classics by Elizabeth Bishop, La...
Loop of Jade
*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.
