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Film, In Theory
Film, in Theory tells the story of Paddy Whannel and Peter Wollen's revolutionary work at the BFI's Education Department and how this led to the establishment of film studies, theory and education in Britain during the 1960s and 1970s. Colm McAuliffe explores how Whannel and Wollen worked together to re-fashion the BFI as a modern and progressive laboratory of ideas, hosting experimental seminars, revamping BFI Summer Schools, and launching the Cinema One series (co-edited by Whannel and Penelope Houston, editor of Sight & Sound magazine). Through extensive archival research and interviews with key figures, McAuliffe explores how the department became "a crucible for the future of film theor...
Punk Rock
Punk Rock examines the history of punk rock in its totality. Punk became a way of thinking about the role of culture and community in modern life. Punks forged real alternatives to producing popular music and built community around their music. This punk counterpublic, forged in the late Cold War period, spanned the globe and has provided a viable cultural alternative to alienated young people over the years. This book starts with the rise of modernity and places the emergence of punk as a musical subculture into that longer historical narrative. It also reveals how punk itself became a contested terrain, as participants sought to imbue the production of music with greater meaning. It highlights all styles of punk and its wide variety of creators around the world, including from the LGBTQ+, feminist, and alternative communities. Punk was and remains a transnational phenomenon that influences music production and shapes our understanding of culture’s role in community building.
The Archaeology of Foucault
On 20 May 1961 Foucault defended his two doctoral theses; on 2 December 1970 he gave his inaugural lecture at the Collège de France. Between these dates, he published four books, travelled widely, and wrote extensively on literature, the visual arts, linguistics, and philosophy. He taught both psychology and philosophy, beginning his explorations of the question of sexuality. Weaving together analyses of published and unpublished material, this is a comprehensive study of this crucial period. As well as Foucault's major texts, it discusses his travels to Brazil, Japan, and the USA, his time in Tunisia, and his editorial work for Critique and the complete works of Nietzsche and Bataille. It ...
Sonic Acts Academy 2018 Reader
Taking the form of a reader, this publication is both a playground and a radical syllabus. It presents artistic and theoretical practices that focus on experimental educational practices and the critical examination of knowledge production in the field of art. Among others it contains: a speculative essay of the on the role of museums from the year 2030 (by Nora Sternfeld); a mediation on composer and mathematician Catherine Christer Hennix; one episode from Nicole Hewitt’s project This Woman Is Called Jasna, a speculative history in nine instalments covering 20 years in the life of a woman from Vukovar who works at the International Criminal Tribunal for the former Yugoslavia in The Hague; an essay on the history of the container – the synecdoche of logistics – as part of a global system of capital by Charmaine Chua; research about sinkholes that have rapidly started appearing in the past decades on the shores of the Dead Sea by Sasha Litvintseva and Daniel Mann; and Aisteach, an imaginary archive of the Irish avant-garde curated by renowned sound artists Jennifer Walshe.
Heart And Soul
Led by the iconic Ian Curtis, Joy Division remains one of the most influential bands to emerge in the British Post-Punk Scene. In spite of Joy Division’s relatively short existence, their unique sound and distinct iconography have had a lasting impact on music fans and performers alike. This book disassembles the band’s contribution to rock music. Based on up-to-date original research, Heart And Soul brings together established and newly emerging scholars who provide detailed examinations the many layers of this multi-faceted and influential band and their singer, the late Ian Curtis, in particular. Given Joy Division’s complexities, the book draws upon a wide range of academic disciplines and approaches in order to make sense of this influential band.
Beautiful Day
"Beautiful Days: Forty Years of Irish Rock tells the story of modern Ireland from the perspective of the music produced across the island during a period of rapid decisive change. The volume is made up of an introductory essay followed by short essays on forty-one songs (one from each year between 1964 and 2004) interspersed with photographic images relating to individual performers, songs and/or cultural context."--BOOK JACKET.
Noisy Island
"Noisy Island: A Short History of Irish Popular Music is the first extended scholarly engagement with Irish popular music, a phenomenon which has provided the world with some of its most enduringly influential and spectacularly successful artists. Combining expertise in Irish Cultural History and Popular Music Studies, Gerry Smyth offers an authoritative and enjoyable introduction to this important (although invariably overlooked or misunderstood) aspect of modern Irish experience." "Beginning in the early 1960s, the book traces the emergence of a distinctive Irish response to international rock music, from the early beat groups through the varieties of blues-influenced styles of the late 1960s, and on to punk and its new wave aftermath."--BOOK JACKET.
Live Cinema
Live Cinema is a term used to capture a diverse range of experiences that incorporate a 'live' element in relation to a film's exhibition. The live augmentation of cinema screenings is not a new phenomenon, indeed this tendency is present throughout the entire history of cinema in the form of live musical accompaniments to silent screenings, showmanship practices, and cult film audience behaviours. The contemporary revival of experiential cinema captured within this volume presents instances where the live transcends the mediated and escapes beyond the boundaries of the auditorium. Our contributors investigate film exhibition practices that include synchronous live performance, site specific...
Vinegar Hill
From the New York Times best-selling author of Brooklyn, Colm Tóibín’s first collection of poetry explores sexuality, religion, and belonging through a modern lens Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality. The poems reflect a life well-traveled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin, and crossing the bridges of Venice to visiting the White House, readers will travel through familiar locations and new destinations through Tóibín’s unique lens. Within this rich collection of poems written over the course of several decades, shot through with keen observation, emotion, and humor, Tóibín offers us lines and verses to provoke, ponder, and cherish.
Superonda
Fuori dalla consueta diatriba Cantautori vs. Sanremo e Rock italiano vs. Musica leggera, Superonda è il racconto di quelle musiche che tra 1964 e 1976 riuscirono a sviluppare linguaggi originali e in grado per una volta di proiettare la musica italiana all’estero, esercitando una sotterranea influenza sul mondo dell’elettronica, del rock alternativo, e delle musiche sperimentali. Un percorso accidentato in cui le vicende di future icone nazionali come Ennio Morricone, Franco Battiato e Area si mescolano a quelle di artisti convertiti al rock come Mario Schifano, in cui l’avanguardia di Berio e Maderna dialoga a distanza con la musica su commissione dei Goblin e delle sonorizzazioni Rai, e in cui i fermenti della cultura underground fanno da sponda a colonne sonore per film di serie B, revivalismi folk e free jazz militante, per arrivare al Lucio Battisti di «Anima latina». Sullo sfondo, la nascita di un immaginario italiano fatto di spaghetti western e bottiglie molotov, gialli alla Dario Argento e avanguardie radicali, riviste di controcultura e sceneggiati di fantascienza, comuni freak ed espropri proletari.
