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A groundbreaking collection of essays, proposing new frameworks for the discussion of noise - from postpunk to showgaze and beyond.
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 brings the series of cultural histories of the avant-garde in the Nordic countries up to the present. It discusses revisions and continuations of historical practices since 1975.
Anthropology has neglected the study of music and this needs to be redressed. This book sets out to show how and why. It does so by bringing music to the subfield of digital anthropology, arguing that digital anthropology has much to gain by expanding its horizons to music – becoming more interdisciplinary by reference to digital/media studies, music and sound studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the ‘digital’ assume clamouring audib...
An anthology of pioneer sound artist Mark Fell's work charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music. In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music. An amalgam of workbook and manifesto, featuring a collection of interleaved statements, diagrammatic scores, and instructional texts, Structure and Synthesis is a dir...
Micro Bionic is an exciting survey of electronic music and sound art from cultural critic and mixed-media artist Thomas Bey William Bailey. This superior revised edition includes all of the original supplements neglected by the publishers of the first edition, including a full index, bibliography, additional notes / commentary and an updated discography. As the title suggests, the unifying theme of the book is that of musicians and sound artists taking bold leaps forward in spite of (or sometimes because of) their financial, technological, and social restrictions. Some symptoms of this condition include the gigantic discography amassed by the one-man project Merzbow, the drama of silence ena...
An engaging consideration of what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology have challenged the centrality of the human amid the uneven temporality of postwar capitalism. Experimental music addresses this condition, Barrett contends, not by adhering to the formal strictures of musical modernism but by producing extra-formal meaning through its immanent transdisciplinary involvements with postwar science, technology, and art movements. Hear Alvin Lucier use his brain waves to play percussion. Picture Pamela Z sculpting the sound...
Taking the form of a reader, this publication is both a playground and a radical syllabus. It presents artistic and theoretical practices that focus on experimental educational practices and the critical examination of knowledge production in the field of art. Among others it contains: a speculative essay of the on the role of museums from the year 2030 (by Nora Sternfeld); a mediation on composer and mathematician Catherine Christer Hennix; one episode from Nicole Hewitt’s project This Woman Is Called Jasna, a speculative history in nine instalments covering 20 years in the life of a woman from Vukovar who works at the International Criminal Tribunal for the former Yugoslavia in The Hague; an essay on the history of the container – the synecdoche of logistics – as part of a global system of capital by Charmaine Chua; research about sinkholes that have rapidly started appearing in the past decades on the shores of the Dead Sea by Sasha Litvintseva and Daniel Mann; and Aisteach, an imaginary archive of the Irish avant-garde curated by renowned sound artists Jennifer Walshe.
Critical essays, interviews and visual interventions in this volume navigate the messy world of climate crisis and oppressive capitalism. Through various contributions, the magazine brings together different facets of diverse disciplines that imagine what (and for whom) a future worth living is. It pairs photographs, drawings, manuals, and film stills that highlight the strategies of visibility and mobilisation that art enables. The featured critical essays and rigorous discourse shift our attention towards listening to ecocide, humanity’s extractive relationship to the cosmos, and the damage sensed by more-than-human ensembles.
In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard. In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation a...
In the course of the last decade, electronic music and club culture have ceased being a minority phenomenon and become an accepted part of Culture with a capital "C." The ascendance of the Sonar Festival of Advanced Music and Multimedia Art, one of the chief exponents of the electronic scene worldwide, is a loud and clear indication of this revolution. To commemorate its first 10 years of life, the festival presents its own photo album: a book of images that reviews the history of this singular event through the viewfinder of a camera. Founded in 1994 in Barcelona, Spain, Sonar has brought together concerts and multimedia shows, complementing them with presentations of technological innovati...