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Cornelia Parker
Essays by Bruce W. Ferguson, Jill Medvedow, Jessica Morgan.
Cornelia Parker
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Cornelia Parker
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Cornelia Parker
"This diminutive artist's book was specially commissioned by Ivorypress as part of an ongoing series. 'Verso' is a previously unpublished work by British sculptor and installation artist Cornelia Parker. Taking button samplers as her starting point, Parker uncovers the patterns left by the buttons and holes on the reverse side of these mundane pieces, using string and thread to create drawings and paths while attempting to reveal the motivations they might hide, or even what they could say about those who made them. A short but evocative text by Colm Tóibín offers some perspective on the work."--Www.ideabooks.nl, accessed 25 May 2016.
Cornelia Parker
One of Britain's most acclaimed contemporary artists, Cornelia Parker's work invites the viewer to witness the transformation of ordinary objects into something compelling and extraordinary.
Silver and Glass
Silver and Glass is the first publication to explore the influence of photography in the art of popular British artist Cornelia Parker.This book is illustrated with over 50 works from across Parker's career: from photo-micrographs exposing in minute detail the possessions of iconic figures such as Einstein and Freud, through witty polaroids and phone photographs, to large-scale sculptures that play with light and shadow, positive and negative space.Connections between these works are explored by Parker and celebrated historian of photography David Campany in an insightful interview.Also included are prints inspired by nineteenth-century photographic pioneer William Henry Fox Talbot, created ...
The Roof Garden Commission: Cornelia Parker
The British artist Cornelia Parker is known for her large, site-specific installations. Often composed of ordinary objects, her works makes the familiar extraordinary, whimsical, and even poignant. Her new project, Transitional Object (PsychoBarn), conceived and created for The Metropolitan Museum of Art, merges two iconic examples of American architecture, the red barn and the infamous mansion on a hill from Alfred Hitchcock's masterpiece Psycho (itself inspired by the paintings of Edward Hopper). The work meditates on the tension between these iconic structures and subtly suggests how architecture generates conflicting emotional states. This beautifully illustrated book is the forth in a series that documents and contextualizes The Met's annual rooftop commissions. The introductory essay by Beatrice Galilee follows the process of crafting this work, tracing the myriad psychological associations that are embedded in architectural spaces, The interview between the artist and Sheena Wagstaff provides an insightful discussion of Parker's wide-ranging career and explores the conceptual framework that informs her remarkable commission.
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Cornelia Parker
In 1995 Cornelia Parker put actress Tilda Swinton in a vitrine, sleeping on display at London's Serpentine Gallery. (Unlike Damien Hirst's lamb under glass there, the artist had the subject's full cooperation.) Parker's brand of conceptual art takes iconic and historically powerful objects, such as a feather from Freud's pillow or soil removed from under the Leaning Tower of Pisa to prevent its collapse, and transforms it into art that both resonates with that power and becomes something new--and often beautiful. In the case of the Pisa dirt, the suspended clumps, exposed to air for the first time in 800 years, float as if released from gravity. Perpetual Canon features Parker's installation in the historic cupola hall of the Wrttembergischer Kunstverein art center in Stuttgart, along with a number of her works on paper. In this collection, the artist again and again unearths the subconscious within the familiar and the clicha, causing us to see them anew. Whether drawing out a filament from dental-filling gold or splitting objects with the same guillotine used to decapitate Marie Antoinette, Parker constantly challenges what we know and what we think we know.
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