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Examines two distinct types of American literary heroines that are seen to develop from the romantic innocence of child brides. Either the child turns vacuous and becomes an insatiable monster; or else a strong personality takes over, which can only be thought of as an external intruder. Considers works from Nathaniel Hawthorne to Gail Godwin. No index. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
JAMES BOND declares war on Le Chiffre, French Communist and paymaster of the Soviet murder organization SMERSH. The battle begins for the ace secret agent in a fifty-million-franc game of baccarat...gains momentum in his fiery love affair with a sensuous lady spy...and reaches a chilling climax with fiendish torture at the hands of a master sadist. The critics give a winning hand to Ian Fleming’s superlative thriller of espionage, adventure, intrigue and murder—CASINO ROYALE “Hums with tension...Author Fleming keeps his incidents and characters spinning through their paces like juggling balls.”—Time “A speed-breaker for thrills with a big dramatic scene set in a crowded casino.” Atlanta Journal Constitution “Excitement enough to intrigue the most hardened reader.”—Newark News “Mounting suspense on every page.”—Houston Chronicle “It’s superlative, everything such a story should be...One can only beg for more from Mr. Fleming.”—Pensacola News-Journal
This book examines images of female illness and invalidism as a metaphor of women's position of invisibility in Victorian and fin-de-siecle America, which pervade the fiction of the Virginia writer Ellen Glasgow (Richmond, 1873-1945). The study contends that the author explores the Victorian cult of invalidism to reveal the mechanisms of patriarchy: her novels warn against adhering to its values, since women are moulded to become epitomes of extreme delicacy and selflessness, being ultimately reduced to virtual inexistence. Many times physically incapacitating, Glasgow seems to suggest, the doctrine of female self-effacement always debilitates women's autonomy as human beings. The female invalids in Glasgow's fiction thus operate as uncanny mirrors of the self women become if they adhere to the traditional code of femininity and its adjoining principle of self-sacrifice.
The binary construction of »young« and »old«, which is based on a biogerontological model of aging as decline, can be redefined as the ambiguity of aging from a cultural studies perspective. This concept enables an analysis of the social functions of images of aging with the aim of providing a basis for interdisciplinary exchange on gerontological research. The articles in this publication conceive the relationship between living and aging as a productive antagonism which focuses on the interplay between continuity and change as a marker of life course identity: aging and growing older are processes which cannot be reduced to the chronology of years but which are shaped by the individual's interaction with the changing circumstances of life.
Prostate cancer will strike 200,000 American men this year. Now, a surviving cancer patient and his urologist provide not just a physician's overview of the disease, but a compassionate guide by someone who's lived with it. Meyer and Nash's advice will empower patients to affect the outcome of the disease.
Divorced and remarried, Ryan Lasseter works as an international airline pilot for Contrails World Airways. Based in Berlin, Germany, before the fall of the Wall, Lasseter and his wife, Lexi, take advantage of excursions to the many intriguing cities in Eastern and Western Europe, providing insight into the once-glamorous world of airline travel and the life of a pilot. Lasseter’s thoughts often take him back to his naval days where he excelled in military aviation. He thinks about his participation in the Vietnam War, the friends he has lost through accidents or enemy fire, and the demanding tasks involved in winning his wings. But when he becomes enamored with a flight attendant named Katarina, a perplexing love triangle develops, and Lasseter begins the agony of personal disintegration because of an incurable disease. As the illness and relationships progress, Ryan experiences the mental anguish of trying to differentiate reality from fantasy and finds himself in a difficult dilemma.
Raoul Walsh (1887–1980) was known as one of Hollywood’s most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors—along with John Ford and Howard Hawks—who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh’s generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh’s life and achievements in a career that spanned more than ...
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