Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Plotting the Past
Through an examination of nineteenth- and twentieth-century theoretical work and novels, Della Coletta presents an authoritatively original recasting of the notion of the historical novel. Della Coletta's analysis of these novels suggests that genres are ideological units molded by culture and history, and that current ideologies shape the literary representation of the historical past. This innovative case study thus illuminates not just the twentieth-century Italian historical novel but also the function of literary genres as a whole.
Handbook of Research on Critical Examinations of Neurodegenerative Disorders
Neurodegeneration is a key feature of several diseases that are referred to as neurodegenerative diseases. The process of neurodegeneration is not well-understood so the diseases that stem from it have, as yet, no cures. As such, studying the effects of these disorders can provide insight into the treatment, prevention, and future opportunities and challenges in this growing field. The Handbook of Research on Critical Examinations of Neurodegenerative Disorders is a critical scholarly resource that provides an extensive explanation of various neurodegenerative disorders based on existing studies to clarify etiology, pathological mechanisms, diagnosis, therapeutic interventions, as well as current status and future opportunities and challenges. Featuring coverage on a broad range of topics such as dementia, mitochondrial dysfunction, and risk factors, this book is geared towards neurobiologists, neuropsychologists, neurophysiologists, neuropathologists, medical professionals, academicians, and researchers seeking research on the complexity of neurodegenerative disorders.
When Stories Travel
Adapting fiction into film is, as author Cristina Della Coletta asserts, a transformative encounter that takes place not just across media but across different cultures. In this book, Della Coletta explores what it means when the translation of fiction into film involves writers, directors, and audiences who belong to national, historical, and cultural formations different from that of the adapted work. In particular, Della Coletta examines narratives and films belonging to Italian, North American, French, and Argentine cultures. These include Luchino Visconti’s adaptation of James M. Cain’s The Postman Always Rings Twice, Federico Fellini’s version of Edgar Allan Poe’s story "Never ...
Italy and the Bourgeoisie
The Italian bourgeoisie appear to be living through a period of self-evaluation. This collection examines what is "essentially Italian" in the development of the bourgeoisie, starting with the role of the individual in post-unification Italy. Members of the bourgeoisie were Italy's ruling class while the country underwent drastic political, economic, and social transformations during major historical eras and events, such as the two World Wars, the Fascist ventennio, the colonial enterprises of the Mussolini regime, the Racial Laws and the Holocaust, and domestic terrorism. The role of the bourgeoisie as indicator, inspiration, and conscience in current pop and high culture is also examined.
Italian Modernism
Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Focussing on the confrontation between these concepts and the broader notion of international modernism, the essays in this important collection seek to understand this complex phase of literary and artistic practices as a response to the epistemes of philosophical and scientific modernity at the end of the nineteenth century and in the first three decades of the twentieth. Intellectually provocative, this collection is the first attempt in the field of Italian Studies at a comprehensive account of Italian literary modernism. Each contributor documents how previous critical categories, employed to account for the literary, artistic, and cultural experiences of the period, have provided only partial and inadequate descriptions, preventing a fuller understanding of the complexities and the interrelations among the cultural phenomena of the time.
"Who Am I?" Historical Narrative and Subjectivity in Anna Banti's Camicia bruciata
This book investigates Anna Banti’s contribution to the creation of a female literary canon, as well as the renewal of Italian literature, from stylistic and thematic points of view. The book examines Banti’s contribution from a two-pronged perspective: as a promoter of female individuality and independence, in contrast to the existent paternal order; and as an innovator of the Italian novel, in particular, the Italian historical novel. This study mainly concentrates on the historical novel, La camicia bruciata, published in 1973. The analysis of the Camicia bruciata examines the structure of the historical novel – Anna Banti’s representations of her male and female characters and their capacity for relationships – and the difference between the fictional story created by Anna Banti, and the historical facts narrated in The House of Medici by Sir Christopher Hibbert and The Last Medici by Harold Acton. The purpose of this analysis is to show how Banti’s personal experience, mainly her idea of married life and motherhood, influenced her narrative and her characters.
Across Genres, Generations and Borders
This book examines the processes involved in writing the lives of women, both as autobiographies and as biographies. Some essays are theoretical discussions about the constructions of self-articulation in women's life writing. Others are more autobiographical, emphasizing the importance of self-articulation for creating possibilities for self-direction. Adopting different theoretical approaches, chapters in this collection highlight the connections between subjectivity and history, feminist concerns about mothering and the mother-daughter relationships, autobiography, discourse and its framing of the relationship between text and life, and the ethics of constructing biographies. The book is divided into three parts: the first part focuses on the process of writing lives as expressed but also contested in epistolary narratives, autobiography and historical fiction. The second part considers notions of female genealogy and the relationship with the maternal, both biological and symbolic. The third part comprises articles which deal with writing outside geographical and metaphorical borders.
Opera and Modern Spectatorship in Late Nineteenth-Century Italy
Alessandra Campana explores how operas and their stage manuals participated in the making of a modern public in late nineteenth-century Italy.
Anxiety of Erasure
Far from offering another study that bemoans Arab women’s repression and veiling, Anxiety of Erasure looks at Arab women writers living in the diaspora who have translated their experiences into a productive and creative force. In this book, Al-Samman articulates the therapeutic effects of revisiting forgotten histories and of activating two cultural tropes: that of the maw’udah (buried female infant) and that of Shahrazad in the process of revolutionary change. She asks what it means to develop a national, gendered consciousness from diasporic locals while staying committed to the homeland. Al-Samman presents close readings of the fiction of six prominent authors whose works span over h...
Taming the Unknown
What is algebra? For some, it is an abstract language of x's and y’s. For mathematics majors and professional mathematicians, it is a world of axiomatically defined constructs like groups, rings, and fields. Taming the Unknown considers how these two seemingly different types of algebra evolved and how they relate. Victor Katz and Karen Parshall explore the history of algebra, from its roots in the ancient civilizations of Egypt, Mesopotamia, Greece, China, and India, through its development in the medieval Islamic world and medieval and early modern Europe, to its modern form in the early twentieth century. Defining algebra originally as a collection of techniques for determining unknowns...
