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Josephine Baker: captivating performer, political activist and international icon, who lived from 1906 to 1975. From the ragtime rhythms of St Louis and the intoxicating sounds of 1920s Paris, to present-day London, Josephine and I intertwines the story of a modern-day girl with that of one of the greatest, yet largely forgotten, stars of the twentieth century. Cush Jumbo stars in the premiere of her debut play, which centres on the legendary American entertainer and her impact on a contemporary young woman. Live music combines with dance to bring to life the contemporary legacy of a woman Ernest Hemingway described as "the most sensational woman anyone ever saw, and ever will."
Packed with great dance ideas for primary school teachers.
"Drama / 3m, 5f / wing and drop"--Back cover.
Winner of the Susan Smith Blackburn Prize, 1997. 'Carr's harrowing play has the scale and anguish of myth, and the immediacy of a contemporary anecdote.' Independent on Sunday There's a wolf tooth growin in me heart and it's turnin me from everywan and everthin I am. Portia Coughlan lives life in monstrous limbo, haunted by a yearning for her spectral twin brother lying at the bottom of the Belmont river, unable to find any love for her wealthy husband and children, seeking solace in soulless affairs, deeply afraid of what she might do. Portia Coughlan premiered on the Abbey Theatre's Peacock Stage, Dublin, in April 1996 and transferred to the Royal Court Theatre, London, in May that year. I...
For forty uninterrupted years, Robert Moses was the most powerful man in New York. Though never elected to office, he manipulated those who were through a mix of guile, charm and intimidation. Motivated at first by a determination to improve the lives of New York City's workers, he created parks, bridges and 627 miles of expressway to connect the people to the great outdoors. But in the 1950s, groups of citizens began to organize against his schemes and against the motor car, campaigning for a very different idea of what a city should be. David Hare's blazing account of a man - played by Ralph Fiennes - whose iron will exposed the weakness of democracy in the face of charismatic conviction, premieres at the Bridge Theatre, London, in March 2022.
Common is a dark and disturbing journey into the carnivalesque world of early-Industrial Britain, exploring the personal and public traumas in the period of the enclosure. Written with verve and wit by Olivier Award-nominated and Writers' Guild Award-winning playwright DC Moore, it tells the story of Mary, a woman who has returned to the village of her birth after years of grifting a living on the edge of respectable London society. She is there to confront old enemies and rekindle a former love. But there's trouble in the air as the local Lord struggles to extend the reach of his power by reclaiming the common-land as his personal fiefdom. Will Mary be able to win over those she lost before? Or will the violence of the time seep over into even the purest of missions? Common is an epic, funny and uncanny history play which examines the period of the enclosure, asking what does community mean and if there can ever be resolution in the intractable battle between individual desires and the common good. Common received its world premiere on the Olivier stage of the National Theatre, London, in a coproduction with Headlong, in May 2017.
Can Othello be a woman? Can Ophelia be a man? Why not? Intended for Shakespeare lovers, scholars, and Shakespearean theater professionals, this study explores ways in which gender is being reinterpreted by British and North American productions since the turn of the millennium. First discussing gender theory, including modern, individualistic identity, this book leads to deep shifts in thinking about sex, gender identity and expression, and sexuality seen in 21st century Shakespearean production casting, directing, and acting decisions. The inclusion of selected productions and characters such as Othello, Richard III, Ophelia, and Olivia encourage readers to make use of "category creation" to reinterpret these characters by rethinking gender. Covered productions are divided into three sections including those that "cross-sex" cast, those that "resex" a character, and those that leave open questions of gender considering how terms like "gender-blending," "gender-bending," or "gender-blind" are meaningful in 21st century Shakespeare.
Originally performed by its creators, this 1987 Edinburgh Fringe hit remains the second longest-running West End comedy in history and has been translated into over thirty languages. The Complete Works of William Shakespeare (abridged) is not so much a play as it is a vaudeville show in which three charismatic, wildly ambitious actors attempt to present all thirty-seven of Shakespeare's plays in a single performance. They have a rudimentary concept of the stories and have imperfectly memorized a smattering of famous lines. Backstage there's a meager assortment of costumes and props. Thus armed, the three brazenly launch into their task with an earnest focus and breakneck enthusiasm.
Nothing cuts into us like the family knife. The Webster House. 1965. 1979. 1985. 1990. 2016. Death silences no one, least of all the dead. Set against the ever-changing industrial landscape of working-class Britain, Beth Steel's revelatory new play spans five decades in the lives, and deaths, of the Webster family. The House of Spades premieres at the Almeida in May 2020. Beth Steel won Most Promising Playwright at the Evening Standard Theatre Awards.
"There is a war coming.... A war that will last for a hundred years.... I think it is already here. I think we've been fighting it a long time" A young Jewish physicist and an activist poet meet at a party and fall in love. As society splinters around them, the couple's struggle to survive erupts into violence. Cordelia Lynn's new play Love and Other Acts of Violence is a subversive and intimate love story about inheritance and the cycles of politics and history. It is premiered at the Donmar Warehouse, London, in October 2021.