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Part pilgrimage, part elegy, In June the Labyrinth is a book-length serial poem in which the main character, Elle, embarks on a quest to investigate not only the "labyrinth" as myth and symbol, but also the "labyrinth of the broken heart."
A book of poetry leads the reader through multiple worlds of the physical and metaphysical.
Fortino Samano (the overflowing of the poem) is a collaborative work by the emerging French poet, Virginie Lalucq, and the distinguished philosopher, Jean-Luc Nancy.
This book uses post structuralist, psychoanalytic, and feminist theories to read the poetry of Dickinson, Moore, H.D., and Rich.
Publisher description
When the Water Came: Evacuees of Hurricane Katrina gathers the intimate recollections of eleven Louisiana and Mississippi residents and the unforgettable details of their lives during and after Hurricane Katrina. Their words, transformed by the poet's hand, are heartbreaking but ultimately inspiring stories of the human condition. Powerful black-and-white photographs of the participants and their surroundings create a lyrical conversation. Poet Cynthia Hogue and photographer Rebecca Ross convey the experience of a cross section of evacuees, their journeys from the Gulf Coast to the Arizona desert, and their efforts to make new lives. Through this combination of words and images, When the Water Came weaves a distinct narrative of Katrina and its aftermath. This book, an accounting of changed lives told in precise detail, allows us to see how the human spirit confronts and transcends trauma
The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen’s own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women’s voices, and the future of poetry. Together, these essays and interviews highlight the impulses and influences that drive Mullen’s work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power.
Chosen by the American Library Association as a 2012 Notable Book in Poetry. Beauty is a Verb is a ground-breaking anthology of disability poetry, essays on disability, and writings on the poetics of both. Crip Poetry. Disability Poetry. Poems with Disabilities. This is where poetry and disability intersect, overlap, collide and make peace. "[BEAUTY IS A VERB] is going to be one of the defining collections of the 21st century...the discourse between ability, identity & poetry will never be the same." —Ron Silliman, author of In The American Tree "This powerful anthology succeeds at intimately showing...disability through the lenses of poetry. What emerges from the book as a whole is a stun...
Cynthia Hogue's stunning new collection, Or Consequence, by turns bristles with spiked, jagged lines or rustles with deep emotion, in poems that range ambitiously from meditations on "freedom" in the central long poetic cycle based on an archival slave narrative to poems crossing cultural and formal boundaries. Hogue's is an innovative poetics of inquiry and outrage, an analytic lyric striking a balance between methods of narrative and assemblage, and finally, between love and hope in the twenty-first century.
"Bringing together more than sixty images of the bridge that, over the years, have graced postcards, magazine covers, and book jackets and appeared in advertisements, cartoons, films, and photographs, Haw traces the diverse and sometimes jarring ways in which this majestic structure has been received, adopted, and interpreted as an American idea. Haw's account is not a history of how the bridge was made, but rather of what people have made of the Brooklyn Bridge - in film, music, literature, art, and politics - from its opening ceremonies to the blackout of 2003."--BOOK JACKET.