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In this book, the contributors expand on their use of Mayes archetypal pedagogy in volume 1 to apply its principles to a wide variety of venues, purposes, and projects. Each essay explores from its own disciplinary angle the difference between what Mayes has called “educational processes” (which are those practices that take place in the dedicated space of the classroom, through the medium of the curriculum, and under the stewardship of the teacher) and “educative acts” (which are those deep transactions between individuals in joint pursuit of existential truth, wherein one is alternately the teacher and student in conversation, and sometimes even communion, with one’s dialogical partner”).
Basil Breakey photographed and befriended these township jazz musicians, and so built up a significant historical record. Here are Kippie Moeketsi, Dollar Brand ( Abdullah Ibrahim), Chris MacGregor, Basil Coetzee, Barney Rachabane, and others.
The vocational archetype stands behind the character of the teacher’s personality, focusing lessons on both the intellectual and personality development of students. Teachers discover the vocational archetype in themselves through trial and error. The teacher-student relationship in the autonomy of the classroom inspires the mind and nurtures the character of the soul. However, consciousness of mind and soul are different. Soul consciousness has an imagistic nature that can see the spiritual archetype that stands behind the individual personality. The child archetype is depicted in many cultures as the “divine child.” The archetype of the adolescent is the hero. The vocational archetyp...
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