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Addresses the ways that writers, musicians, philosophers, politicians, critics, and scholars speak of music from varying standpoints and in varying ways
"Draws together the work of thirty-nine leading international experts on the European Enlightenment (c1660-1800) to offer informed, comprehensive and up-to-date analysis of this period as both an historical epoch and a cultural formation".--BOOKJACKET.
Textual Permanence is the first book to examine the influence of the Roman epigraphic tradition on Latin elegiac poetry. The frequent use of invented inscriptions within the works of Rome's elegiac poets suggests a desire to monumentalise elements of the poems and the authors themselves. This book explores inscriptional writing in the elegies of Catullus, Propertius, Tibullus and Ovid, showing that whenever an author includes an inscription within a poem, he draws the reader's attention beyond the text of the poem to include the cultural contexts in which such inscriptions were daily read and produced. The emphases that these inscriptions grant to persons, sentiments and actions within the p...
Bringing together critical assessments of the broad range of Rousseau's thought, with a particular emphasis on his political theory, this systematic collection is an essential resource for both student and scholar.
Michael von Albrecht's A History of Roman Literature, originally published in German, can rightly be seen as the long awaited counterpart to Albin Lesky's Geschichte der Griechischen Literatur. In what will probably be the last survey made by a single scholar the whole of Latin literature from Livius Andronicus up to Boethius comes to the fore. 'Literature' is taken here in its broad, antique sense, and therefore also includes e.g. rhetoric, philosophy and history. Special attention has been given to the influence of Latin literature on subsequent centuries down to our own days. Extensive indices give access to this monument of learning. The introductions in Von Albrecht's texts, together with the large bibliographies make further study both more fruitful and easy.
Reprint of the original, first published in 1872.
The Western musical tradition has produced not only music, but also countless writings about music that remain in continuous—and enormously influential—dialogue with their subject. With sweeping scope and philosophical depth, A Language of Its Own traces the past millennium of this ongoing exchange. Ruth Katz argues that the indispensible relationship between intellectual production and musical creation gave rise to the Western conception of music. This evolving and sometimes conflicted process, in turn, shaped the art form itself. As ideas entered music from the contexts in which it existed, its internal language developed in tandem with shifts in intellectual and social history. Katz explores how this infrastructure allowed music to explain itself from within, creating a self-referential and rational foundation that has begun to erode in recent years. A magisterial exploration of a frequently overlooked intersection of Western art and philosophy, A Language of Its Own restores music to its rightful place in the history of ideas.