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Poetry. Afro-Caribbean Studies. "D.S. Marriott 'dares to dream' in this book...by refolding beautiful romantic lines...into new relation with the real that haunts him, which he attends through mourning and recasts in an art full of loss. These poems do indeed seem to 'contain the whole of death, even before / life has begun', but they engage no refusal, just the overturning of willful stasis and a lyric luring of the undone into poetic doing, to light. HOODOO VOODOO's last section's dark streaming of figures through landscapes...is presided over by 'Ghede', or Guede, after all--best known as the loa of death in Vodou, 'Papa Bones', but also a figure of fertility, of the crossroads between li...
If Grime music had a poetry, it would be Duppies
Incognegro gathers together poems and prose drawn from journals and the author's fugitive chapbooks, along with previously unpublished pieces, around a central context of Black European and American literary-historical experience.Incognegro is about time, loss, and memory; but also the language and experience of separation and forgetting: like other works on the Black Atlantic the book is taken up with the Middle Passage; what happens, happened, and what keeps on happening; and the something in between that drains the reality of this new world in the memory of the old.
Mutilated, dying or dead, black men play a role in the psychic life of culture. From national dreams to media fantasies, from sensual intimacy to outpourings of murderous violence, there is a persistent imagining of what black men must be, a demand that black men perform a script, becomeinterchangeable with the uncanny, deeply unsettling, projections of culture. This powerful and compelling study explores the legacy of that role, particularly its violent effect on how black men have learned to see themselves and one another. David Marriott draws upon a range of examples, from lynching photographs to recent Hollywood films, as well as the ideas of keythinkers including Frantz Fanon, Richard Wright, James Baldwin and John Edgar Wideman, to reveal a vicious pantomime of unvarying reification and compulsive fascination, of whites taking a look at themselves through images of black desolation, and of blacks intimately dispossessed by that self-samelooking. On Black Men is a bold and original exploration of what it means to be black and male in contemporary Europe and America.
In The Bloods, his third poetry collection, D.S. Marriott's recurrent theme is that of memory and absence: 'bound to what is remembered/ what is absent'. In poems that both embody and inhabit this double obligation, memory and absence prove to be equally central to the mysteries of ordinary language, the politics and philosophy of enslavement, as well as markers-typographic, archival, ethical-respecting the borders of what cannot, finally, be known. Spare, lyrical, and deeply haunting, and yet not without irony or hope, The Bloods continues Marriott's pursuit of a style and concept of the poem that is strictly his own.
"One of the strengths of Marriott's Practical Electrocardiography through its more than 50-year history has been its lucid foundation for understanding the basis for ECG interpretation. Again, in this revision, we have attempted to retain the best of the Marriott tradition--emphasis on the concepts required for everyday ECG interpretation and the simplicities, rather than complexities, of the ECG recordings. During preparation of the 9th and 10th editions, Tobin Lim coauthored many of the 11th edition chapters and served as the primary developer of the digital content associated with that edition. Tobin Lim's input continues into this 12th edition, and David Strauss has led even further into...
Frantz Fanon may be most known for his more obviously political writings, but in the first instance, he was a clinician, a black Caribbean psychiatrist who had the improbable task of treating disturbed and traumatized North African patients during the wars of decolonization. Investigating and foregrounding the clinical system that Fanon devised in an attempt to intervene against negrophobia and anti-blackness, this book rereads his clinical and political work together, arguing that the two are mutually imbricated. For the first time, Fanon's therapeutic innovations are considered along with his more overtly political and cultural writings to ask how the crises of war affected his practice, i...
Progress in Physical Organic Chemistry is dedicated to reviewing the latest investigations into organic chemistry that use quantitative and mathematical methods. These reviews help readers understand the importance of individual discoveries and what they mean to the field as a whole. Moreover, the authors, leading experts in their fields, offer unique and thought-provoking perspectives on the current state of the science and its future directions. With so many new findings published in a broad range of journals, Progress in Physical Organic Chemistry fills the need for a central resource that presents, analyzes, and contextualizes the major advances in the field. The articles published in Pr...