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Medieval Art, Modern Politics is an innovative volume of twelve essays by international scholars, prefaced by a comprehensive introduction. It examines the political uses and misuses of medieval images, objects, and the built environment from the 16th to the 20th century. In case studies ranging from Russia to the US and from catacombs, mosques, cathedrals, and feudal castles to museums and textbooks, it demonstrates how the artistic and built legacy has been appropriated in post-medieval times to legitimize varied political agendas, whether royalist, imperial, fascist, or colonial. Entities as diverse as the Roman papacy, the Catholic Church, local arts organizations, private owners of medieval fortresses, or organizers of exhibitions and publishers are examined for the multiple ways they co-opt medieval works of art. Medieval Art, Modern Politics enlarges the history of revivalism and of medievalism by giving it a uniquely political twist, demonstrating the unavoidable (but often ignored) intersection of art history, knowledge, and power.
Cultural identity in the classical world is explored from a variety of angles.
"Recognizing heightened significance of Mexican public survey research, series of essays illuminates the state of Mexican polling and its impact on political liberalization. Well-integrated volume"--Handbook of Latin American Studies, v. 57.
Champagne and his coauthors reveal how the structure of a multinational state has the potential to create more equal and just national communities for Native peoples around the globe. In the U.S., Canada, Mexico, and Guatemala, they show how indigenous people preserve their territory, rights to self-government, and culture. A valuable resource for Native American, Canadian, and Latin American studies; comparative indigenous governments; and international relations.
Praise for the first edition: "Gutmann has done the hithertofore seemingly unthinkable. [A] wholly other vision of Mexican gender relations emerges."—José Limón, American Anthropologist "This book does for the study of men what two generations of feminist anthropologists have done for the study of women."—Lynn Stephen, author of Zapotec Women
This clearly written and carefully argued narrative presents a less mythical and more human Zapata against the dramatic and chaotic background of the Mexican Revolution.
Taking Back the Academy! is not only an historical look at activism on campus since the 1960s, but also an exploration of the ways in which the historian's craft leads to social change. Written against the current political wave that views liberal academics as treasonous and unpatriotic, these authors defend political dissent and powerfully document the importance of activism and public debate on college campuses. From the controversies surrounding the current war to continuing problems of identity politics on campus, Taking Back the Academy! covers a number of issues raging on today's university campuses.
In Cistercian Architecture and Medieval Society Maximilian Sternberg offers an account of the social functions of the built environment in medieval monasticism. Few medieval monuments hold so privileged a place in the modern imagination as Cistercian abbeys, yet Sternberg suggests, it is precisely our own, peculiarly modern fascination with the idea of 'Cistercian aesthetics' that has hindered a full view of the complex social meanings of their architecture. This book draws attention instead to the practical and symbolic means by which architecture helped the Cistercians to negotiate the dense web of relations that, in actuality, bound them to other spheres of medieval society. It explores the permeability of monastic boundaries, and considers their effectiveness in reconciling a simultaneous need for interaction and distance between monastic communities and these other social spheres.