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In a rapidly changing world, the ways in which economic forces affect both personal and global change can be difficult to track, particularly in the arts. This collection of twenty new essays explores both obscure and famous plays dealing with economic issues. Beginning with the Industrial Revolution, the text moves from Marx's theories to Wall Street speculation, nineteenth century immigration issues, the excesses of the Gilded Age and the 1920s, the Great Depression, World War II and millennial economic challenges.
By shifting the centre of gravity from author to reader, Roland Barthes had certainly prepared us for a Copernican turn in aesthetics, yet Michael J. Pearce’s Art in the Age of Emergence still sounds unfamiliar two years after its publication. While acknowledging the existence of homologies among the art objects of a cultural phase, the Californian academic also launches an explanatory hypothesis:”I realized that in order to understand art, instead of looking for the similarities between the paintings and the sculptures we have to look at the similarities between the people looking at them. Art is better explained by looking at how the mind works than by looking at the products of mind....
Tom Stoppard is justly famous for his innovative theatrical techniques. Daniel Jernigan argues that while much of Tom Stoppard's early work (Rosencrantz and Guildenstern Are Dead and The Real Inspector Hound, for instance) is postmodern, the remainder of his career essentially tracks backward from there--becoming "late modernist" in the 1970s (Travesties) and fully modernist in the 80s and 90s (The Real Thing and Arcadia). This pattern also makes sense of Stoppard's recent and uncharacteristic foray into dramatic realism with The Coast of Utopia (2002) and Rock 'n' Roll (2006), at which point the playwright seems to embrace the more straightforward rhetorical advantages of literary realism.
"In Philip Roth: A Counterlife, Ira Nadel exposes the multifaceted disposition of this major voice in American letters: Roth the realist, the ironist, the ventriloquist, the impersonator, the bard. In navigating the intricacies and dualities of the public and private Roth, Nadel shows the complexities, the contradictions, and the counterlives both lived and imagined. As literary sleuth, Nadel has enriched the myriad possibilities for understanding this exacting and defiant writer and his work." "Professor Nadel's study is always very readable and compelling but its discussion of material that has never been accessed before is particularly exciting." "Philip Roth: A Counterlife engages and il...
Crossing the boundaries of a single-author study, this book uncovers Flann O'Brien's attempt to forge a commercially successful Irish literary project from international avant-garde influences. Situating O'Brien's early work within a global context, the book uses new evidence of his collaborations to reimagine him as a networked writer. O'Brien drew upon experimental techniques to generate new categories of writing, rethink Irish culture and reach a wide audience. This study illuminates a network of cultural production around O'Brien, linking his work to English comic magazines, Dadaist photomontage, Expressionism, Central European theatre, and renowned writers like Jorge Luis Borges and Franz Kafka. By re-examining Flann O'Brien within the context of the momentous global political and cultural crises that spurred avant-garde experimentation, the book also rewrites the cultural history of Ireland in the 1930s and 1940s.
This book offers insight into designerly ways of knowing from the perspectives of experts and professionals engaging in diverse forms of design in workplaces and other public domains. It also aids in the understanding of design practices from designers’ viewpoints via case studies. By pursuing a reflective inquiry in their design epistemology (designerly ways of knowing), design praxiology (practices of design), or design phenomenology (forms of designs), self-studies of design practices, and presenting studies of designs, the authors of this book demonstrate how they influence the people and the object of inquiry or design. The case studies presented in this book also illustrate how designers develop their expertise, and provides inspiration for the incorporation of design-thinking and practice in education.
Talented animation artists often neglect successful storytelling in favor of strong visuals, but now you can have both with this complete guide to adaptation for animation. Veteran independent filmmaker Hannes Rall teaches you how to draw and adapt inspiration from copyright-free materials like fairy tales, myths, and classic literature, making it easier than ever to create your own compelling narrative. Particular focus is given to making the adequate narrative and visual choices when transferring a text from page to screen: How to create a successful adaptation. With sections on subjects like transcultural adaptations, visual poetry and production design, this book is just the right mix of...
Modern Irish Literature and the Primitive Sublime reveals the primitive sublime as an overlooked aspect of modern Irish literature as central to Ireland’s artistic production and the wider global cultural production of postcolonial literature. A concern for and anxiety about the primitive persists within modern Irish culture. The “otherness” within and beyond Ireland’s borders offers writers, from the Celtic Revival through independence and partition to post-9/11, a seductive call through which to negotiate Irish identity. Ultimately, the disquieting awe of the primitive sublime is not simply a momentary recognition of Ireland’s primitive indigenous history but a repeated rhetorical gesture that beckons a transcendent elation brought about by the recognition of the troubled, ritualistic and sacrificial Irish past to reveal a fundamental aspect of the capacity to negotiate identity, viewed through another but intimately reflective of the self, within the long emerging twentieth-century Irish nation.
Marginal Notes, Doubtful Statements by Jonathan Coe - an extraordinary non-fiction collection from the author of EXPO 58 From celebrating the greatness of Gulliver's Travels to tracing the impact of Margaret Thatcher's death, from interviewing Brian Eno to finding Hitchcockian elements in a Disney film, Marginal Notes, Doubtful Statements is a hugely funny, moving and fascinating 20-year journey through the world of books, music, film, politics and memory from one of Britain's most acclaimed novelists and cultural thinkers. This will be loved by fans of What A Carve Up and The Rotters' Club, as well as readers of Nick Hornby, David Foster Wallace and Zadie Smith's Changing My Mind. 'Clever and funny, enthralling and moving, this is, for my money, Coe's best novel since What A Carve-Up! Wonderful' Daily Mail on Expo 58 'A rich and splendidly comic confection' Independent on EXPO 58 Jonathan Coe is the author of ten novels, the latest Expo 58 (2013). His previous nine novels are all published by Penguin and include the acclaimed bestsellers What a Carve Up!, The House of Sleep and The Rotters' Club.
This book explains the creation of animation from concept to production. Instead of focusing on singular aspects of animation production, talented animators can learn to make better films by understanding the process as a whole. Veteran independent filmmaker Hannes Rall teaches you how to develop an animation project from the very start of conceptual exploration though to completed production. Subjects like script, storyboarding, character and production design illuminate the pre-production process; later chapters explain the production process applied to different animation techniques like 2D animation, 3D computer animation and stop motion. This book is just the right mix of practical advice, lavish illustrations, and industry case studies to give you everything you need to start creating animation today. Key Features Learn the concepts of film animation production from an expert instructor Interviews with legends Andreas Deja, Hans Bacher and Volker Engel Robust coverage of the pre-production process, from script to storyboarding and visual development Includes a glossary and further reading recommendations