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Responsibility for negation of international crimes
History is no longer the exclusive domain of historians, but is now often used as a tool for politics. It is not without reason that the term “state historical policy” has been coined, which must be a kind of aberration for those who believed that the role of history is to objectively determine the course of events. The fact is, however, that the distortion of historical facts, the concealment of crimes is now part of the “information war”. Therefore, new acts of public international law, EU law and national law are introduced in order to combat public condonation, denial or gross trivialisation of the core international crimes which are certain forms and expressions of racism and xe...
Reassessing Russia's Security Policy
This book provides a detailed analysis of the evolution of Russia’s security policy. Based on extensive original research, including an analysis of official documents, political and military elite speeches, interviews, and reports, and considering the subject from the early twentieth century onwards, the book evaluates how far Russia’s security policy is underpinned by “strategic asymmetry” – the acceptance by Russia of its inferior military position, and the pursuit of its strategic aims through the application of a variety of methods, military and non-military, including the manipulation of public opinion, the use of economic leverage and external security approaches - known as Russia’s “hybrid war operations” - to gain the advantage over a militarily and economically superior adversary. The book discusses how Russia’s security policy has been and is being applied in specific cases, including the present war in Ukraine, the Russian anti-satellite program and Russia’s contemporary Afghan policy. The aim of the book is to explain how and why Russia uses different security strategies and methods using these three cases.
Środowisko teatru w okresie stanu wojennego
M.in. Warszawa. 1) teatry repertuarowe, T. Powszechny, Narodowy, Dramatyczny (s. 109-173) 2) inne formy prezentacji : teatr domowy i kościelny, tu warszawskie : Teatr Domowy : Ewa Dałkowska, Andrzej Piszczatowski, Maciej Szary, Emilian Kamiński, inni, daty, miejsca , tytuły spektakli (s. 200-212); teatr w kościele : spektakle, aktorzy, miejsca , tu : Muzeum Archidiecezji Warszawskiej, kościoły : NMP przy ul. Przyrynek 2, św. Stanisława Kostki na Żoliborzu, św. Krzyża, na Żytniej (s. 212-216, 226-228).
Revolution and Counterrevolution in Poland, 1980-1989
Examines the 1980 Solidarity revolution in Poland, the government's subsequent establishment of martial law in response, in 1981, and the eventual transition to democracy in 1989.
Engagiert sein in der Gegenwart
Der Band beschäftigt sich mit dem Begriff des Engagements, indem er literarische und künstlerische Projekte von internationalen Autorinnen und Autoren betrachtet, die als interventionistisch, kritisch und radikal konzipiert sind. Bezugspunkt solcher Arbeiten sind in der Regel konkrete Veränderungen in der sozialen, politischen und kulturellen Realität. Die Konfrontation mit verschiedenen literarischen, historischen, philosophischen und kulturellen Traditionen, die in diesem Band stattfindet, bereichert die Reflexion über die gegenwärtigen Möglichkeiten, Kunst, Literatur und Kultur in Prozesse der Transformation der nicht-künstlerischen Welt einzubinden. Es macht den Anschein, dass man heutzutage Zeuge einer neuen Beziehung zwischen Kunst, Wissenschaft und Aktivismus wird.
Słowa polskie
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