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Ships
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La imagen recobrada
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Anti-Literature
Anti-Literature articulates a rethinking of what is meant today by "literature." Examining key Latin American forms of experimental writing from the 1920s to the present, Adam Joseph Shellhorse reveals literature's power as a site for radical reflection and reaction to contemporary political and cultural conditions. His analysis engages the work of writers such as Clarice Lispector, Oswald de Andrade, the Brazilian concrete poets, Osman Lins, and David Vi–as, to develop a theory of anti-literature that posits the feminine, multimedial, and subaltern as central to the undoing of what is meant by "literature." By placing Brazilian and Argentine anti-literature at the crux of a new way of thi...
Cinzano
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La mirada cinéfila
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Caligrafía de la imagen
Caligrafía de la imagen reflexiona sobre la figura del director-autor en el cine: de qué manera las transformaciones de ese concepto funcionan como un sismógrafo que registra los vaivenes de la teoría y de la crítica entre las décadas de 1950 y 1970. En su momento, la "política de los autores" de Cahiers du cinéma supuso una estrategia de ruptura típicamente vanguardista que definió una perspectiva moderna para aproximarse a las películas. Fue arbitraria, contradictoria y belicosa. Siempre apasionada, a menudo enriquecedora, a veces injusta. Sin embargo, muy rápidamente, esa actitud provocativa fue atrapada por las convenciones hasta terminar acomodándose en ese género de "pel...
Po stronie wilka
Utwór dramatyczny, „Po stronie wilka”, autorstwa Emiliana Crialesiego i Marca Di Bartolomei został przeniesiony na scenę teatralną w roku 2011 w Rzymie w Teatro Colosseo (Via Capo D’Africa 29/A). Autorzy i zarazem organizatorzy inscenizacji zaangażowali do przeniesienia tego trudnego utworu na deski teatru, genialnego rzymskiego reżysera teatralnego, również aktora i malarza, Danila Gattai (1974). W rolach głównych wystąpili: Vanni Corbellini (Renato Righi) oraz Giovanni Schifoni (Enrico Nervi). Reżyser, ukształtowany w laboratorium Antonia Ferrante oraz na warsztatach prowadzonych przez Alana Woodhouse’a, Tonina Valeriia i Marcela Marceau, postawił w swoim przedstawien...
Lucrecia Martel
Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gemünden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging of these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gemünden aligns Martel's filmmaking methods with the work of other international directors who criticize—and pointedly circumvent—the high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentinian society and beyond.
Big Data and Innovation in Tourism, Travel, and Hospitality
This book brings together multi-disciplinary research and practical evidence about the role and exploitation of big data in driving and supporting innovation in tourism. It also provides a consolidated framework and roadmap summarising the major issues that both researchers and practitioners have to address for effective big data innovation. The book proposes a process-based model to identify and implement big data innovation strategies in tourism. This process framework consists of four major parts: 1) inputs required for big data innovation; 2) processes required to implement big data innovation; 3) outcomes of big data innovation; and 4) contextual factors influencing big data exploitation and advances in big data exploitation for business innovation.
Psychotherapy in Pain Management
Within the current opiate crisis, this book provides a timely, comprehensive guide for psychological treatment with chronic pain patients. It is written for academic and practicing psychological professionals, in addition to graduate students, neuroscientists, and neuropsychologists. It provides an explanation of neurophysiological pain processing based the Dimensional Systems Model (DSM), a theory of higher cortical functions. Novel views on the roles of the basal ganglia, cerebellum, and cingulate cortex are presented here, while the applied Clinical Biopsychological Model (CBM) is used to explain psychological treatment with chronic pain patients. Three new areas of treatment focus are discussed in this book, including specific approaches to deal with influential negative emotional memories, interpersonal relationship stressors, and loss-related depression, all of which have been shown to influence chronic pain disorders. Detailed information on how to do assessment, conceptualization, and treatment is also provided. In total, the book offers a unique viewpoint unavailable in any other source.
