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"On December 28, 1941, two paratroopers night drop into Nazi-occupied territory. Their mission is to assassinate the second most powerful man in the German high command. Many other men parachuted deep behind enemy lines only to meet their fate at the hands of the Gestapo, but the team known as Anthropoid carried out their orders with awesome precision. The result was the most successful clandestine mission of the Second World War and one of the most successful in the history of warfare. Follow Anthropoid as the team moves from the heartbreak of a bad drop to its careful integration into the closely guarded networks of the resistance underground. Watch as this highly skilled team surfaces for the slow sure deliberation of the kill. Share the furious aftermath as they fight an entire SS regiment to the death in the heart of the German Reich"--P. [4] of cover.
In this book the author examines how women detectives are portrayed in film, in literature and on TV. Chapters examine the portrayal of female investigators in each of these four genres: the Gothic novel, the lesbian detective novel, television and film.
"Explores in colonial Newport, Rhode Island, the tumultuous marriage of Benedict and Mary Arnold in the 1720s and 1730s. In and through their sordid and possibly criminal marital story, in which Mary is accused of poisoning Benedict, Crane sheds light on the liabilities and possibilities for women under couverture, the complex social and economic networks that bound together the elite and laboring classes of Newport, and the trans-oceanic cultures of trade, consumption, and sociability that came to shape expectations for marital satisfaction on both sides of the Atlantic"--
Andrew Dickos's Street with No Name traces the film noir genre back to its roots in German expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses a modern cinema. He argues that, in its most satisfying form, the film noir exists as a series of conventions with an iconography and characters of distinctive significance. Featuring stylized lighting and urban settings, these films tell melodramatic narratives involving characters who commit crimes predicated on destructive passions, corruption, and a submission to human weakness and fate. Unlike other st...
By turns irreverent, sympathetic and amusing, America Writes Its History, 1650-1850 adds to the public discourse on national identity as advanced through the written word. Highlighting the contributions of American writers who focused on history, the author shows that for nearly 200 years writers struggled to reflect, or influence, the public perception of America by Americans. This book is an introduction to the development of history as a written art form, and an academic discipline, during America's most crucial and impressionable period. America Writes Its History, 1650-1850 takes the reader on a historical tour of written histories--whether narrative history, novels, memoirs or plays--from the Jamestown Colony to the edge of the Civil War. What exactly did we, as Americans, think of ourselves? And more importantly; What did we want non-Americans to think of us? In other words, what was (and is) history, and who, if anyone, owns it?
A welcome addition to the fields of Latino and (trans-)American cultural and literary studies, Latino Dreams focuses on a selection of Latino narratives, published between the mid-1980s and the mid-1990s, that may be said to traffic in the U.S.A.’s attendant myths and governing cultural logics. The selection includes novels by authors who have received little academic attention—Abraham Rodriguez, Achy Obejas, and Benjamin Alire Sáenz—along with underattended texts from more renowned writers—Rosario Ferré, Coco Fusco, and Guillermo Gómez-Peña. Latino Dreams takes a transcultural approach in order to raise questions of subaltern subordination and domination, and the resistant capac...
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
Writing is all about creating an experience for the reader. Whether you're giving them a brain-teasing puzzle or an adrenaline-soaked emotional roller coaster-ride, this book helps you shape your fiction to create maximum enjoyment for your readers. Now you can learn the craft directly from one of the most respected contemporary writers in the field, Carolyn What, winner of multitudinous awards and nominations. What knows what editors want, and shows you how to achieve your writing an publishing goals. How To Write Killer Fiction is a handbook that no writer of mystery or suspense can afford to be without.
The untold story of how Agatha Christie conquered the serial market with her thrilling mysteries. Dame Agatha Christie reigns supreme as the Queen of Crime. Numerous books have been written about the legendary crime writer, focusing on nearly every aspect of her craft. But until now no one has carried out an in-depth investigation into how she conquered the serial market with her thrilling tales of murder and intrigue. In the UK and US, Agatha Christies work was serialized in the most prestigious magazines and newspapers of the day, often under an array of different titles, prior to being published by Collins and Dodd, Mead and Company. Second serial rights could result in a single tit...
Investigating Identities: Questions of Identity in Contemporary International Crime Fiction is one of the relatively few books to date which adopts a comparative approach to the study of the genre. This collection of twenty essays by international scholars, examining crime fiction production from over a dozen countries, confirms that a comparative approach can both shed light on processes of adaptation and appropriation of the genre within specific national, regional or local contexts, and also uncover similarities between the works of authors from very different areas. Contributors explore discourse concerning national and historical memory, language, race, ethnicity, culture and gender, an...