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Romance is a fertile ground for linguistic research. Instead of limiting their studies to one specialised area, some Romance scholars have managed to combine different aspects of the broad field of Romance linguistics in an impressive way. This volume is dedicated to the multifaceted research interests of Guido Mensching: Part 1 focusses on different aspects of the architecture of grammar and linguistic theory, covering Italian, Portuguese, French, Sardinian and Romance. The focus of Part 2 is on historical linguistics, discussing Old Occitan lexicography and Romance in Hebrew scripts. Part 3 is dedicated to aspects relating to plurilingualism, language contact and sociolinguistics. Part 4 explores research arguments that go beyond Romance philology but are nonetheless intertwined with it.
New Perspectives on Contemporary German Science Fiction demonstrates the variety and scope of German science fiction (SF) production in literature, television, and cinema. The volume argues that speculative fictions and explorations of the fantastic provide a critical lens for studying the possibilities and limitations of paradigm shifts in society. Lars Schmeink and Ingo Cornils bring together essays that study the renaissance of German SF in the twenty-first century. The volume makes clear that German SF is both global and local—the genre is in balance between internationally dominant forms and adapting them to Germany’s reality as it relates to migration, the environment, and human rights. The essays explore a range of media (literature, cinema, television) and relevant political, philosophical, and cultural discourses.
Literary Representations of Precarious Work, 1840 to the Present sheds new light on literary representations of precarious labor from 1840 until the present. With contributions by experts in American, British, French, German and Swedish culture, this book examines how literature has shaped the understanding of socio-economic precarity, a concept that is mostly used to describe living and working conditions in our contemporary neoliberal and platform economy. This volume shows that authors tried to develop new poetic tools and literary techniques to translate the experience of social regression and insecurity to readers. While some authors critically engage with normative models of work by zooming in on the physical and affective backlash of being a precarious worker, others even find inspiration in their own situations as writers trying to survive. Furthermore, this volume shows that precarity is not an exclusively contemporary phenomenon and that literature has always been a central medium to (critically) register forms of social insecurity. By retrieving parts of that archive, this volume paves the way to a historically nuanced view on contemporary regimes of precarious work.
Die jüngste deutschsprachige Literatur erfreut sich wachsenden Interesses im wissenschaftlich-kulturellen Diskurs. Ausgehend vom Spektrum an Deutungsansätzen, wie Forschung und Feuilleton sie bieten, zielt der Band darauf, das Prisma der Gegenwart in der Vielfalt ästhetischer Positionen zu durchleuchten. Leitkriterium der Beiträge ist einerseits die theoretische Auseinandersetzung mit den veränderten Entstehungsbedingungen von Literatur, zu denen die digitale Wende sowie die Krisenkonjunktur im Zeichen der Globalisierung gehören; andererseits der Blick auf die schöpferische Autonomie der Welt- und Wirklichkeitsentwürfe, deren bewusste Verortung im Hier und Jetzt zu exemplarischen Re-Lektüren von Topoi wie Natur, Geschichte, Technik, Sprache bzw. Sprachkrise einlädt. Die Bestandsaufnahme wird von Stimmen namhafter Protagonisten der Gegenwartsliteratur flankiert – und gestaltet sich dadurch als befruchtender Dialog zwischen Dichtung und Wissenschaft.
This volume casts a critical light on one of Germany’s bestselling and most controversial authors. Juli Zeh’s literary work is not only widely read in Germany, but also featured on high school and college syllabi both in Germany and abroad. In recent years and in the wake of the Covid 19 lockdowns, Zeh’s output has only increased, though her most recent work, Unterleuten (2016), Über Menschen (2021), and Zwischen Welten (2023; co-written with Simon Urban), has evolved away from the literary and philosophical thought that informed her more nuanced earlier work and towards a more conservative representation of contemporary social dynamics. While her work continues to garner prestigious ...
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Worin liegt die Bedeutung randständiger Dinge für kulturbildende Prozesse? Der Band untersucht ästhetische Entwürfe und theoretische Konzeptualisierungen materieller Peripherien vom 19. Jahrhundert bis in die Gegenwart. Diese werden anhand spezifischer Objekt- und Materialkategorien wie Plunder, Lumpen, Müll oder Makulatur verhandelt und differenziert. Indem literatur-, sozial- und kulturwissenschaftliche Perspektiven miteinander verbunden werden, findet eine interdisziplinäre Bearbeitung des Themas statt. Erörtert werden historisch variable Funktionen, die randständige Materialitäten in poetologischen, soziologischen und politischen Kontexten durch kulturell forcierte Auf- und Abwertungsakte übernehmen. Das Ausloten von Darstellungsmöglichkeiten und -grenzen gesellschaftlich marginalisierter Dinge legt zudem ihr besonderes ästhetisches Potenzial frei.
This book explores the media ecologies of literature – the ways in which a literary text is interwoven in its material, technical, performative, praxeological, affective, and discursive network and which determine how it is experienced and interpreted. Through novel approaches to the complex, contingent and interdependent environments of literature, this volume demonstrates how questions about the mediality of literature – particularly in the wake of digitization – shed a new light on our understanding of textuality, reading, platforms and reception processes. By drawing on recent developments in advanced media theory, Media Ecologies of Literature emphasizes the productivity of innovative re-conceptualizations of literature as a medium in its own right. In an intentionally wide historical scope, the essays engage with literary texts from the Romantic to the contemporary period, from Charlotte Smith and Oscar Wilde to A. L. Kennedy and Mark Z. Danielewski, from the traditionally printed novel to audiobooks and reading apps.