Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Film Study
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
World War II, Film, and History
War films--including antiwar films--have established the prevailing public image of war in the 20th century. Examining how the public memory of war in this century has often been created more by a manufactured past than a remembered one, World War II, Film, And History offers an informative and, at times, disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality". 22 halftones. 2 maps.
The Power of Film Propaganda
Explores five case studies in Britain, the USSR, Germany and Italy to determine whether or not propaganda films reached the audiences at which they were targeted, and where they did, whether the films made the impact on those audiences that the propagandists had expected.
Readings in Propaganda and Persuasion
"This collection of readings in propaganda and persuasion is designed to serve as either a companion to Jowett and O'Donnell's text Propaganda and Persuasion or as a single class resource. The contents range from seminal essays by Jacques Ellul, Kenneth Burke, and Paul M.A. Linebarger to articles by well-known writers on propaganda such as Philip Taylor and David Culbert to new essays about responses to 9/11, the treatment of Afghan women, persuasion in the built environment, and public diplomacy as propaganda. Also included are analyses of the relationship between rhetoric and propaganda, essays about the definition of propaganda, propaganda in the Boston Massacre of the American Revolution, the Bolshevik Revolution, and American, British, and German propaganda during World War II, and brainwashing in the Korean War." -- Publisher.
Making Movies Black
This is the second volume of Thomas Cripps's definitive history of African-Americans in Hollywood. It covers the period from World War II through the civil rights movement of the 1960s, examining this period through the prism of popular culture. Making Movies Black shows how movies anticipated and helped form America's changing ideas about race. Cripps contends that from the liberal rhetoric of the war years--marked as it was by the propaganda catchwords brotherhood and tolerance--came movies that defined a new African-American presence both in film and in American society at large. He argues that the war years, more than any previous era, gave African-American activists access to centers of...
Art, Culture, and Media Under the Third Reich
Art, Culture, and Media Under the Third Reich explores the ways in which the Nazis used art and media to portray their country as the champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda, this volume contributes to Holocaust studies by revealing how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups. Contributors address nearly every facet of the arts and mass media under the Third Reich—efforts to define degenerate music and art; the promotion of race hatred through film and public assemblies; views of the racially ideal garden and landscape; race as portrayed in popular literatu...
1968: The World Transformed
1968: The World Transformed presents a global perspective on the tumultuous events of the most crucial year in the era of the Cold War. By interpreting 1968 as a transnational phenomenon, authors from Europe and the United States explain why the crises of 1968 erupted almost simultaneously throughout the world. Together, the eighteen chapters provide an interdisciplinary and comparative approach to the rise and fall of protest movements worldwide. The book represents an effort to integrate international relations, the role of media, and the cross-cultural exchange of people and ideas into the history of that year. 1968 emerges as a global phenomenon because of the linkages between domestic and international affairs, the powerful influence of the media, the networks of communication among activists, and the shared opposition to the domestic and international status quo in the name of freedom and self-determination.
Television Histories
From Ken Burns's documentaries to historical dramas such as Roots, from A&E's Biography series to CNN, television has become the primary source for historical information for tens of millions of Americans today. Why has television become such a respected authority? What falsehoods enter our collective memory as truths? How is one to know what is real and what is imagined—or ignored—by producers, directors, or writers? Gary Edgerton and Peter Rollins have collected a group of essays that answer these and many other questions. The contributors examine the full spectrum of historical genres, but also institutions such as the History Channel and production histories of such series as The Jack Benny Show, which ran for fifteen years. The authors explore the tensions between popular history and professional history, and the tendency of some academics to declare the past "off limits" to nonscholars. Several of them point to the tendency for television histories to embed current concerns and priorities within the past, as in such popular shows as Quantum Leap and Dr. Quinn, Medicine Woman. The result is an insightful portrayal of the power television possesses to influence our culture.
Cultural History Through a National Socialist Lens
This collection of essays offers a view of Nazi Germany through an analysis of twenty films. These represent a sampling of the period's directors and reflect the film medium's major genres. For in spite of the control that Goebbels's film industry exercised over all aspects of filmmaking in the Third Reich, the films reveal an individuality that belies subsuming them under any one rubric or containing them within any one theory. Films such as Hitlerjunge Quex, Die groe Liebe, and Auf Wiedersehen Franziska represent the Nazi film industry's efforts to propagandize through entertainment. Others such as Immensee, Kleider machen Leute, and Der Schimmelreiter reveal an attempt to expropriate Germ...
Contested Valor
Contested Valor is a challenging examination of the use and status of black Marines in United States military service during the Cold War era. These pioneering men experienced contested military integration, as well as multiple forms of institutional and social opposition, which called their humanity, manhood, and rights to full citizenship into question. Efforts to undermine their service compromised their right to be counted among the elite and sidelined their story to the fringes of Marine Corps and U.S. history. Cameron McCoy describes the factors and pressures leading to the racial turbulence that surfaced in the Marine Corps from the end of World War II through Vietnam, and the measure...
