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This specialist work in historical theology deals with the doctrine of salvation in the early theology of Richard Hooker (1554-1600) from the perspective of the concept of faith and with Hooker’s connections to the early English Reformers (W. Tyndale, J. Frith, R. Barnes, T. Cranmer, J. Bradford and J. Foxe) in crucial teachings such as justification, sanctification, glorification, election, reprobation, the sovereignty of God, and salvation of Catholics. The study proves that Hooker’s theology is firstly Protestant (to counter the views which picture it as Catholic) and secondly Calvinist.
First published in 1989, this title explores the relationship between theater and power in the English Renaissance. Shakespeare’s Henry V, Richard II, and Macbeth are examined alongside a range of cultural materials, including philosophical and historical accounts of sovereignty, royal portraiture and representations of treason and punishment. Renaissance theater was far more than a vehicle for the expression of a political content: it played a constitutive role in forming the distinctive theory of sovereignty and the distinctive political subjectivity of the era. By reading Shakespeare’s plays in conjunction with other, ideologically charged forms of representation, the book continues new-historicist efforts to uncover the complex relations between literary texts and cultural contexts. Providing an interesting and detailed analysis, this reissue will be of value to students of Shakespeare and the English Renaissance, and those concerned with exploring the intersection between cultural analysis, post-structuralism, and psychoanalytic interpretation.
Collects together original essays by leading historians of science on the nature and development of scientific biography.
Becoming a father was the main way that an individual in the English Renaissance could be treated as a full member of the community. Yet patriarchal identity was by no means as secure as is often assumed: when poets invoke the idea of paternity in love poetry and other forms, they are therefore invoking all the anxieties that a culture with contradictory notions of sexuality imposed. This study takes these anxieties seriously, arguing that writers such as Sidney and Spenser deployed images of childbirth to harmonize public and private spheres, to develop a full sense of selfhood in their verse, and even to come to new accommodations between the sexes. Shakespeare, Donne and Jonson, in turn, saw the appeal of the older poets' aims, but resisted their more radical implications. The result is a fiercely personal yet publicly-committed poetry that wouldn't be seen again until the time of the Romantics.
This book argues that play offered Hamlet, John Donne, George Herbert, Andrew Marvell, Robert Burton, and Sir Thomas Browne a way to live within the contradictions and conflicts of late Renaissance life by providing a new stance for the self. Grounding its argument in recent theories of play and in a historical analysis that sees the seventeenth century as a point of crisis in the formation of the western self, the author demonstrates how play helped mediate this crisis and how central texts of the period enact this mediation.
The Philological Quarterly's annual bibliographies of modern studies in English neoclassical literature, published originally from 1961 to 1970, are reproduced in two volumes. Readers will find the same features that distinguished earlier compilations in the series: inclusive listing of significant works published in each year (including sections on the historical and cultural background as well as literature), authoritative reviews of important works, critical comments, and a full index that is in itself an indispensable reference tool. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This 1960 volume contains five lectures on seventeenth-century prose given by the author F. P. Wilson during the 1950s.
The association of shoemakers (cordiners in Scotland) with St Crispin, their patron saint, remained so strong that, at least until the early twentieth century, a shoemaker was popularly called a “Crispin” and collectively “sons of Crispin”. Medieval Scottish cordiners maintained altars to St Crispin and his brother St Crispianus and their cult can be traced to France in the sixth century. In the late sixteenth century, an English rewriting of the legend achieved immediate popularity and St Crispin’s Day continued to be remembered in England throughout the seventeenth century. Journeymen shoemakers in Scotland in the early eighteenth century commemorated their patron with procession...
The Biographical Turn showcases the latest research through which the field of biography is being explored. Fifteen leading scholars in the field present the biographical perspective as a scholarly research methodology, investigating the consequences of this bottom-up approach and illuminating its value for different disciplines. While biography has been on the rise in academia since the 1980s, this volume highlights the theoretical implications of the biographical turn that is changing the humanities. Chapters cover subjects such as gender, religion, race, new media and microhistory, presenting biography as as a research methodology suited not only for historians but also for explorations i...
This is the very first study made in depth and detail of over forty Anglican preachers in the Golden Age of the English Pulpit. There have been individual studies of the sermons of Donne and Andrewes, but none of the metaphysical preachers as a whole. It is the aim of this book to introduce to the reader some of the less familiar preachers: men such as John Hacket and Ralph Brownrig, Calvinist preachers in the metaphysical style such as the Elizabethan Henry Smith (known as silver-tongued for his oratory), or Thomas Adams, who was styled the prose Shakespeare of Puritan theologians. These men, and others, were widely admired in their day and, in many cases, their contemporary popularity chal...