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Here, the author examines Russian thinking about the Orient before the Revolution of 1917. He argues that the Russian Empire's bi-continental geography and the complicated nature of its encounter with Asia have all resulted in a variegated understanding of the East among its people.
This volume examines how Imperial Russia's armed forces sought to adapt to the challenges of modern warfare. From Peter the Great to Nicholas II, rulers always understood the need to maintain an army and navy capable of preserving the empire's great power status. Yet they inevitably faced the dilemma of importing European military and technological innovations while keeping out political ideas that could challenge the autocracy's monopoly on power. Within the context of a constant race to avoid oblivion, the impulse for military renewal emerges as a fundamental and recurring theme in modern Russian history.
Like Volume one, Volume two of The Russo-Japanese War in Global Perspective examines the Russo-Japanese War in its military, diplomatic, social, political, and cultural context. In this volume East Asian contributors focus on the Asian side of the war to flesh out the assertion that the Russo-Japanese War was, in fact, World War Zero, the first global confl ict of the 20th century. The contributors demonstrate that the Russo-Japanese War, largely forgotten in the aftermath of World War I, actually was a precursor to the catastrophe that engulfed the world less than a decade after the signing of the Treaty of Portsmouth. This study also helps us better understand Japan as it emerged at the beginning of its fateful 20th century.
A rare look at the exquisite world of Russian treasures that lies beyond Fabergé. Imperial Russia evokes images of a vanished courts unparalleled splendor: magnificent tiaras, gem-encrusted necklaces, snuff boxes and other diamond-studded baubles of the tsars and tsarinas. During that time, jewelry symbolized power and wealth, and no one knew this better than the Romanovs. The era marked the high point of the Russian jewelers' art. Beginning with Catherine I's reign in 1725, in the century when women ruled Russia, until the Russian Revolution of 1917, the imperial capital's goldsmiths perfected their craft, and soon the quality of Russias jewelry equaled, if not surpassed, the best that Eur...
This is a major new study of the successor states that emerged in the wake of the collapse of the great Russian, Habsburg, Iranian, Ottoman and Qing Empires and of the expansionist powers who renewed their struggle over the Eurasian borderlands through to the end of the Second World War. Surveying the great power rivalry between the Soviet Union, Nazi Germany and Imperial Japan for control over the Western and Far Eastern boundaries of Eurasia, Alfred J. Rieber provides a new framework for understanding the evolution of Soviet policy from the Revolution through to the beginning of the Cold War. Paying particular attention to the Soviet Union, the book charts how these powers adopted similar methods to the old ruling elites to expand and consolidate their conquests, ranging from colonisation and deportation to forced assimilation, but applied them with a force that far surpassed the practices of their imperial predecessors.
The West has been accused of seeing the East in a hostile and deprecatory light, as the legacy of nineteenth-century European imperialism. In this highly original and controversial book, David Schimmelpenninck van der Oye examines Russian thinking about the Orient before the Revolution of 1917. Exploring the writings, poetry, and art of representative individuals including Catherine the Great, Alexander Pushkin, Alexander Borodin, and leading orientologists, Schimmelpenninck argues that the Russian Empire’s bi-continental geography, its ambivalent relationship with the rest of Europe, and the complicated nature of its encounter with Asia have all resulted in a variegated and often surprisingly sympathetic understanding of the East among its people.
Russia’s attempt to consolidate its authority in the North Caucasus has exerted a terrible price on both sides since the mid-nineteenth century. Michael Khodarkovsky tells a concise and compelling history of the mountainous region between the Black and Caspian seas during the centuries of Russia’s long conquest (1500–1850s). The history of the region unfolds against the background of one man’s life story, Semën Atarshchikov (1807–1845). Torn between his Chechen identity and his duties as a lieutenant and translator in the Russian army, Atarshchikov defected, not once but twice, to join the mountaineers against the invading Russian troops. His was the experience more typical of Russia’s empire-building in the borderlands than the better known stories of the audacious kidnappers and valiant battles. It is a history of the North Caucasus as seen from both sides of the conflict, which continues to make this region Russia’s most violent and vulnerable frontier.
A comprehensive diplomatic and military history of the Russian conquest of Central Asia, spanning the whole of the nineteenth century.
The Groninger Museum has established a reputation for its successful exhibitions about nienteenth-century Russian art. This is the fifth major exhibition that the Groninger Museum has devoted to Russian art in recent years, continuing the series of exceptional presentations of Ilya Repin's oeuvre, Russian landscapes, the circle around Diaghilev and the exhibition on 'Russian legends, folk tales and fairy tales', which was highly popular with families. In this exhibition the Groninger Museum turns the spotlight on the symbolic, aesthetic and moral aspects of Russia's orient. Exhibition: Groninger Museum (19.12.2010-8.5.2011).
The latest, probing look at the 1905 Portsmouth Peace Treaty, the last peace agreement between Japan and Russia