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Presents a collection of poems published by the author during the 1970s and 1980s, along with some previously unpublished works and a chronology that provides details about his life.
An anthology of contemporary poets presents works that reflect the diversity in American poetry.
"What a great premise for an anthology! And it succeeds, both in its celebration of our crazy culture and its fascinating analysis, through the poems, of popular myths that have stood the test of time." —Kliatt In the past few decades, poetry about and around popular culture has become a very hip contemporary art form. Real Things is a collection of over 150 poems by more than 130 poets who themselves represent the cultural diversity of the United States. With subjects ranging from the influence of Mickey Mouse on child-raising to the relationship of Barbie to sex in America, from the societal effects of the movie Psycho to our fascination with dirty politics and Ralph Kramden, the poems in this anthology question and celebrate the attitudes that our society shares.
From Simon & Schuster, in its ninth year, The Best American Poetry 1996 is universally acclaimed as the best anthology in the field. The compilation includes a diverse abundance of poems published in 1995 in more than 40 publications ranging from The New Yorker to The Paris Review to Bamboo Ridge.
Like a prose version of a chatty Frank O'Hara poem, Tim Dlugos' New York Diary is dense with the goings-on of a crush of proper names we normally might not care much about. Yet-again like O'Hara-Tim, in his accurately super-speedy rendering of the summer and fall of the now-historical year of 1976, makes them and theirs magical, intimate, and fully alive. -Brad Gooch Tim Dlugos was one of the smartest, wittiest, most socially dynamic presences on the New York poetry scene of the 1970s and beyond. And these diary entries capture his voice at its most intimate and perceptive. As well as displaying the deep delight he took in being a gay man and an out poet at a time and in a place where that was finally seen not as transgressive but as celebratory. Well, a little of both. As with New York poet and predecessor Frank O'Hara, many of Tim's friends thought they were his best friend, I certainly did. He had the ability to make you confess things to him and look for his approval. Which usually meant his matching your confession with his own. Everyone I know who knew him loved him, and many of us adored him. These glimpses into his life and mind show why. -Michael Lally
A collection of poems reflecting the poet's fascination with the ways in which grace could be represented through artfulness.
An evocative and luminous collection of poems from the late Donald Britton
The first book to capture the spontaneity of lower Manhattan's Downtown literary scene collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. (Literary Criticism)
Larry Stanton was a portraitist. He was always drawing people. He didn't exhibit much. Like most portraitists he was shy about showing his work, the worry about 'likeness', (perhaps a wrong notion) always seems to intervene. A kind of naive notion that the portait IS them seems to take place. Larry struggled with this and slowly his struggle was beginning to bear fruit, a fact which is visible in the selection of his drawings and paintings reproduced here.
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