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Electra 2
“There is stupidity in every era, but each era has its own kind of stupidity” – Flaubert. This subject is approached in this edition by Yves Michaud, Philosophy professor and art critic, with an essay about the impact of mass and surplus of information; by American philosopher Avital Ronell, who analyses the phenomenon and concept of stupidity and the way it can be appropriated by philosophy and literature; by Italian artist Serena Giordano,who explores the importance of stupidity in art; and by Italian sociologist Alessandro Dal Lago, with the article “Idiocy, Identity and Migrations”; António Baião and António Pedro Marques, editors of the annual publication Bestiário, talk about the triumph of the narrative of stupidity in the digital public space. This second edition’s interview talks to Italian Salvatore Settis, art historian and archaeologist, known for his public speaking and essays about the way in which political and economic administration can threaten legacy. The second edition of Electra will also include a portfolio by American artist Dean Monogenis; Ted Bonin’s journal, a New York gallerist; and a profile on Nick Cave by Bernardo Futscher Pereira.
CMJ New Music Monthly
CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.
CMJ New Music Monthly
CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.
Creative Practices for Visual Artists
Contrary to popular belief, the practice of art isn’t just a product of innate talent or artistic vision; artwork emerges from an intentionally constructed and maintained artistic practice. Developed from interviews with more than 75 mid-career artists, Creative Practices for Visual Artists examines the methods and approaches highly successful artists use to stay creatively robust for a lifetime. Offering practical strategies and concrete solutions, it also looks at the impacts of digital and social media, as well as recent changes in the educational system that can hinder the formation of a strong artistic practice. Artist and educator Kenneth Steinbach addresses key issues such as: the role of embodied research and non-objective experimentation; reframing one's approach to studio time; forms of productive conflict; the positive role of anxiety; and the importance of failure for the artist. The book will be useful to students and emerging artists, the instructors that teach them, and established artists looking to develop stronger studio habits. The companion website, www.creativepracticesbook.com, provides links to artists' websites and further information.
Frieze
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The Georgia Review
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Contemporary Painting
Painting is a continually expanding and evolving medium. The radical changes that have taken place since the 1960s and 1970s the period that saw the shift from a modernist to a postmodernist visual language have led to its reinvigoration as a practice, lending it an energy and diversity that persist today. In Contemporary Painting, renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of the subject: a rigorous critical snapshot that brings together more than 250 renowned artists from around the world, whose ideas and aesthetics characterize the painting of our time. These luminaries include Cecily Brown, Theaster Gates, Josh Smith, Jenny Saville, Julie Mehretu, Takashi Murakami, Gabriel Orozco, Christina Quarles, Kara Walker, Kehinde Wiley, Zhang Xiaogang and many others. Organized into seven thematic chapters exploring aspects of contemporary painting, this is an essential volume for art history enthusiasts, students, critics and practitioners.
Flash Art
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The New Yorker
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