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The Cambridge Companion to Philip Roth
From the moment that his debut book, Goodbye, Columbus (1959), won him the National Book Award, Philip Roth has been among the most influential and controversial writers of our age. Now the author of more than twenty novels, numerous stories, two memoirs, and two books of literary criticism, Roth has used his writing to continually reinvent himself and in doing so to remake the American literary landscape. This Companion provides the most comprehensive introduction to his works and thought in a collection of newly commissioned essays from distinguished scholars. Beginning with the urgency of Roth's early fiction and extending to the vitality of his most recent novels, these essays trace Roth's artistic engagement with questions about ethnic identity, postmodernism, Israel, the Holocaust, sexuality, and the human psyche itself. With its chronology and guide to further reading, this Companion will be essential for new and returning Roth readers, students and scholars.
Philip Roth
Looking at Philip Roth's writing life as a "book of voices," Debra Shostak listens in on the conversations that this prominent American novelist has conducted with himself and his times over forty years and twenty-four books. She finds that while Roth frequently shifts perspectives, he repeatedly returns to interrelated questions of cultural history, literary history, and, especially, selfhood.
The Cambridge Companion to American Novelists
This volume provides newly commissioned essays from leading scholars and critics on the social and cultural history of the novel in America. It explores the work of the most influential American novelists of the past 200 years, including Melville, Twain, James, Wharton, Cather, Faulkner, Ellison, Pynchon, and Morrison.
Turning Up the Flame
"The time would appear ripe then to take a closer look at Roth's more recent or "later" fiction. That is the intent of this gathering of critical essays. This is the only essay collection devoted primarily to Roth's fiction of the last two decades. It includes fourteen essays, written by some of the leading Roth specialists in this country and abroad."--BOOK JACKET.
Laughing at the Darkness: Postmodernism and Optimism in American Humour
Paul McDonald's book is the second in the Humanities Ebooks Contemporary American Literature Series, edited by Christopher Gair and Aliki Varvogli. Given that postmodernism has been associated with doubt, chaos, relativism and the disappearance of reality, it may appear difficult to reconcile with American optimism. Laughing at the Darkness demonstrates that this is not always the case. In examining the work of, among others, Sherman Alexie, Woody Allen, Douglas Coupland, Jonathan Safran Foer, Bill Hicks, David Mamet, and Philip Roth, McDonald shows how American humourists bring their comedy to bear on some of the negative implications of philosophical postmodernism and, in so doing, explore ways of reclaiming value. Paul McDonald is the author of three other HEB titles, The Philosophy of Humour, Reading Morrison's Beloved, and Reading Heller's Catch-22, all available from Lulu.
Re-framing the Transnational Turn in American Studies
What is the state of American studies in the twenty-first century?
The Heroic Ideal in Philip Roth's "Indignation" (2008) and "Nemesis" (2010)
Bachelor Thesis from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Wuppertal, language: English, abstract: Particularly "Nemesis" and "Indignation" have a strong relation to one another due to several factors such as the usage of time, place, setting, Fear, narration, and character design. In the thesis at hand, these two novels will be further investigated to demonstrate how Roth succeeds in narrative experimentation as much as in creating a powerful heroic ideal informed by an existential vision. Thus, this work is going to illustrate that Roth is trying to create a certain heroic ideal that is modeled on ancient heroic paragon...
Noir Fiction and Film
The argument of Noir Fiction and Film is curiously counterintuitive: that in a century of hard-boiled fiction and detective films, characteristics that at first seemed trivial swelled in importance, flourishing into crucial aspects of the genre. Among these are aimless descriptions of people and places irrelevant to plot, along with detectives consisting of little more than sparkling dialogue and flippant attitudes. What weaves together such features, however, seems to be a paradox: that a genre rooted in solving a mystery, structured around the gathering of clues, must do so by misdirecting our attention, even withholding information we think we need to generate the suspense we also desire....
Philip Roth's Rude Truth
Has anyone ever worked harder and longer at being immature than Philip Roth? The novelist himself pointed out the paradox, saying that after establishing a reputation for maturity with two earnest novels, he "worked hard and long and diligently" to be frivolous--an effort that resulted in the notoriously immature Portnoy's Complaint (1969). Three-and-a-half decades and more than twenty books later, Roth is still at his serious "pursuit of the unserious." But his art of immaturity has itself matured, developing surprising links with two traditions of immaturity--an American one that includes Emerson, Melville, and Henry James, and a late twentieth-century Eastern European one that developed i...
Reading Theories in Contemporary Fiction
Even after the upheavals wrought by Theory, literary criticism has generally ignored the act and experience of reading itself, proceeding as though something so fundamental to our experience of texts could be taken for granted. Reading Theories in Contemporary Fiction draws on deconstruction and the thought of Jacques Derrida to explore the ways in which contemporary fiction engages with reading, its power, the elusive nature of its experience and the failures of understanding inherent in it. Along the way, the book proceeds through close readings of such authors as J.M. Coetzee, David Mitchell, Toni Morrison and Philip Roth.
