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Terrestrial Mammals
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UK Mammals
Focusing on UK mammals, this report summarises results from the Tracking Mammals Partnership, a collaborative initiative, involving 24 organisations with a variety of interests in mammals. It aims to improve the quality, quantity, and dissemination of information on the status of species in the UK.
The Looney
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Atlas of the Mammals of Great Britain and Northern Ireland
Based on more than 1.8 million records, this Atlas provides the most up-to-date information on the current distributions of both terrestrial and marine mammals in the United Kingdom, the Channel Islands and the Isle of Man. Many changes over time, such as the rapid invasion of the grey squirrel, the recovery of the pine marten and the decline of the water vole, are readily apparent from the detailed maps. Fully illustrated with photographs, detailed information is provided for 84 species, including descriptions of their ecology and identification, together with graphs showing the seasonal distribution of records. Data are also presented for feral species, vagrants, and cetaceans that have only ever been found as strandings. The Atlas will be an invaluable source of information to mammal enthusiasts, professional ecologists, and policy makers.
Gift of the Gag
"What's happening? Why is Irish comedy suddenly centre-stage after years of working on the edge? This book, the first major exploration of the phenomenon, looks behind the scenes for the answers, interviewing the comedians themselves, presenting their jokes and routines and placing it all in the context of the seismic social changes in today's Ireland."--BOOK JACKET.
Theatre and Archival Memory
This book presents new insights into the production and reception of Irish drama, its internationalisation and political influences, within a pivotal period of Irish cultural and social change. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland’s national theatre, the Abbey. Drawing on newly released and digitised archival records, this book argues for an inclusive historiography reflective of the formative impacts upon modern Irish theatre as recorded within marginalised performance histories. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. The book, framed by the device of ‘archival memory’, serves as a means for scholars and theatre-makers to inter-contextualise existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory.
“The” Lammisters
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Perdix VI
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