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Art, Parody and Politics
This pioneer book focuses on the work of dele jegede, one of the leading Nigerian artists in the last three decades, to reflect on the connections between images and the nation state, the linkages between art and humanity, and the understanding of society through means different from oral and written texts. Various chapters written by prominent art historians, based on the analysis of jegede?s cartoons, drawings, and paintings, reflect extensively on how he has defined and imagined a postcolonial state, in its nakedness and hope, but gesturing towards change and a utopian moment. The book draws on the individual experiences of scholars and professional artists in Nigeria and the Diaspora to ...
Rethinking Institutions, Processes and Development in Africa
African scholarship concerning the nexus between institutions and development is still dominated by the economic perspective of development despite the emergence of the humanistic perspective of development. The humanistic perspective is a more embracing, encompassing, and comprehensive view of development than its economic counterpart and offers a better explanation of the African situation. It is essential to examine the relationships between democratic political institutions and human development. This collection examines democratic institutions and processes in post-independence Africa. The contributors examine the political institutional processes in post-colonial Africa, evaluating the workings of institutions such as education, bureaucracy, interest groups, trade unions, and problems of enforcements in Africa. It also discusses the relevance of creative arts for political socialization as well as the role effects of privatization on service delivery in contemporary African societies.
Africa
Since the publication of the first edition of this book in 1977, Africa has established itself as the most popular introductory text for African studies courses in North America. This third edition has been completely revised and brought up to date since the 1986 edition, reflecting changes in African society and politics, and in the scholarship available on this vast and complex continent. Contents I. Introduction 1. Africa: Problems and Perspectives. Phyllis M. Martin and Patrick O'Meara 2. The Contemporary Map of Africa. Michael L. McNulty II. The African Past 3. Prehistoric Africa. Kathy D. Schick 4. Aspects of Early African History. John Lamphear and Toyin Falola 5. Islam and African So...
Black Orpheus, Transition, and Modern Cultural Awakening in Africa
Black Orpheus and Transition stand as towering landmarks in Africa’s cultural and intellectual history between 1957 and 1978, serving as incubators for the continent's postcolonial literary and artistic awakening. Founded in 1957 by Ulli Beier in Nigeria, Black Orpheus was a platform for artistic experimentation and dialogue, initially inspired by the Paris-based Présence Africaine but quickly evolving into its own distinctive voice. Beier’s initiatives, such as the Mbari Clubs in Ibadan and Oshogbo, complemented the magazine’s mission, offering creative spaces that nurtured some of Africa’s most notable artists and writers. By 1961, Transition, founded in Uganda by Rajat Neogy, eme...
Onobrakpeya
Widely acknowledged as Africa's master printmaker, Bruce Onobrakpeya (b. 1932) is also a world-renowned painter and sculptor. He has exhibited at Tate Modern, London; the National Museum of African Art, Washington, D.C.; and the Malmö Konsthall, Sweden; and has lived and taught in the United States. Educated in colonial Nigeria, Onobrakpeya stands in the vanguard of contemporary African artists who set the standards for innovation and professionalism in a new, postcolonial nation. This volume presents an astonishing array of color and black-and-white reproductions of his drawings, paintings, prints, and installations, and includes notes by the artist, as well as selections of his poetry.
Jazz Religion, the Second Line, and Black New Orleans
This scholarly study demonstrates “that while post-Hurricane Katrina New Orleans is changing, the vibrant traditions of jazz . . . must continue” (Journal of African American History). An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines—the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades. Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.
A Companion to Modern African Art
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
The Grove Encyclopedia of American Art
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Afropolis
Metropolises often evoke images of flashy high-rise buildings, permanent background noise, backed-up cars and people moving quickly in all directions in their masses. New York, Tokyo, London, Sao Paulo. But what about Cairo?
Fela
This collection is one of two publications in the Fela Project.
