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Poetry collection by devorah major, third San Francisco Poet Laureate.
We all have moments from childhood that have molded our perceptions of ourselves and our lives. In Girls Like Us forty accomplished and influential women share these tender and uplifting moments from their own childhoods and teenage years. Isabel Allende tells of her parents' priceless gift in encouraging her to express her creativity; Faye Wattleton describes how a checkered and difficult childhood shaped her into the determined leader she is today; novelist Amy Tan explores the life of a young girl and her relationship to her mother in The Joy Luck Club. The book includes photographs of some of the contributors at the age they appear in their stories, as well as brief biographies of each. Girls Like Us celebrates the poignant coming-of-age moments experienced by prominent women of this century. This book is a great anthology for everyone wishing to cultivate and remember what it is to be young again.
Eleven-year-old Lisa becomes her mother’s primary support when they face the prospect of homelessness. As Dee, a single mother, struggles with the demons of her own childhood of neglect and abuse, Lisa has to quickly assume the role of an adult in an attempt to keep some stability in their lives. “Dee and Tiny” ultimately become underground celebrities in San Francisco, squatting in storefronts and performing the “art of homelessness.” Their story, filled with black humor and incisive analysis, illuminates the roots of poverty, the criminalization of poor families, and their struggle for survival.
Robert Pinsky and Derek Walcott anchor this groundbreaking, soulful poetry collection. Imagine a night of a hundred poets reading their work to an audience of intensely engaged, responsive, and lively people—say three thousand of them. They are a loud bunch when it is time to make noise, but they are silent as congregants at prayer when the poets’ language entrances them. Imagine the reading taking place under a tent pitched on a grassy lawn that overlooks the Caribbean Sea. Imagine that this is not the north coast of Jamaica, with its cliche of white sands and coconut trees, a place glutted with cruise ship passengers and bewildered tourists; imagine instead a rugged coastline, a landsc...
How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas in the Americas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as how they have been set in opposition by white systems of racial domination. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the post-Civil War era through the present.From the history of Japanese jazz composers to the current popularity of black/Asian "buddy films" like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in America in the twenty-first century.
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On March 5th, 2007, a car bomb was exploded on al-Mutanabbi Street in Baghdad. More than thirty people were killed and more than one hundred were wounded. This locale is the historic center of Baghdad bookselling, a winding street filled with bookstores and outdoor book stalls. Named after the famed 10th century classical Arab poet al-Mutanabbi, it has been the heart and soul of the Baghdad literary and intellectual community. This anthology begins with a historical introduction to al-Mutanabbi Street and includes the writing of Iraqis as well as a wide swath of international poets and writers who were outraged by this attack. This book seeks to show where al-Mutanabbi Street starts in all o...
Poetry. In this diary of intentionality, the behearer and the beholder approach the world with an attitude of longing—for less: less sorrow, less suffering. Daily practice delivers the speaker to profound meditations on the nature of the self. These poems press against our deepest held questions: what is an I? Where are my borders? What or how am I "with"? "From whom—from what—do we hide?" "This little book of few words is immense in its silences, depths of ambiguity, range of feeling—dark, light, umber, copper, sienna—full of strange inward jottings (graphically adventurous) that echo and dance in a reader's mind. ASCENSION's quiet absences are fully, passionately, present—you can almost hear the music the title suggests, and the loss and wonder that goes with it"—Norman Fischer.
The award-winning photographer’s pictorial history of the famous San Francisco Jazz club featuring oral histories and more than 100 images—“A treasure” (SF Weekly). In the words of Wynton Marsalis, “Keystone Korner was the quintessential jazz club . . . a happy home to people of all persuasions.” During the 1970s, when jazz clubs across America were folding under the onslaught of rock and roll and disco, San Francisco’s Keystone Korner was an oasis for jazz listeners and musicians. Tucked away in the city’s North Beach area, the Keystone became one of the most important jazz spots in the United States. It was so beloved by musicians that superstars McCoy Tyner, Freddie Hubbar...
"An homage to the life of poet, writer, and teaching artist Judith Tannenbaum (b. 1947-d. 2019) and her impact on incarcerated and marginalized students. The book presents different aspects of Judith through a collection of original poetry, prose, essay, illustration, and fiction from 33 contributors who knew her"--