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Ascension
Poetry. In this diary of intentionality, the behearer and the beholder approach the world with an attitude of longing—for less: less sorrow, less suffering. Daily practice delivers the speaker to profound meditations on the nature of the self. These poems press against our deepest held questions: what is an I? Where are my borders? What or how am I "with"? "From whom—from what—do we hide?" "This little book of few words is immense in its silences, depths of ambiguity, range of feeling—dark, light, umber, copper, sienna—full of strange inward jottings (graphically adventurous) that echo and dance in a reader's mind. ASCENSION's quiet absences are fully, passionately, present—you can almost hear the music the title suggests, and the loss and wonder that goes with it"—Norman Fischer.
American Letters
Poetry. Art. Inspired by African American spirit writing, sacred sound, Tibetan meditation practice, and the study of Japanese language and calligraphy, AMERICAN LETTERS: WORKS ON PAPER is giovanni singleton's followup to ASCENSION.
Communities of Learned Experience
During the Renaissance, collections of letters both satisfied humanist enthusiasm for ancient literary forms and provided the flexibility of a format appropriate to many types of inquiry. The printed collections of medical letters by Giovanni Manardo of Ferrara and other physicians in early sixteenth-century Europe may thus be regarded as products of medical humanism. The letters of mid- and late sixteenth-century Italian and German physicians examined in Communities of Learned Experience by Nancy G. Siraisi also illustrate practices associated with the concepts of the Republic of Letters: open and relatively informal communication among a learned community and a liberal exchange of informat...
Lunch Poems
Celebrate the 50th Anniversary of Frank O'Hara's Lunch Poems Lunch Poems, first published in 1964 by City Lights Books as number nineteen in the Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry. Edited by the poet in collaboration with Lawrence Ferlinghetti and Donald Allen, who had published O'Hara's poems in his monumental The New American Poetry in 1960, it contains some of the poet's best known works including "The Day Lady Died," "Ave Maria" and "Poem" Lana Turner has collapsed ]. This new limited 50th anniversary edition contains a preface by John Ashbery and an editor's note by City Lights publisher Lawrence Ferlinghett...
Gephyromania
A reprint of trans poet, activist, and teacher TC Tolbert's beloved debut collection of poetry. In Gephyromania (literally, an addiction to or an obsession with bridges), Tolbert's choice isn't between female and male, lover and self, or loss and relief, but rather to live in the places where those binaries meet. Is a bridge simply an attempt to connect one body back to itself? Sensing the parallels between a lover who leaves and his own female body as it chooses to recede, the poems in Gephyromania explore the spaces between, among, across, and even within bodies.
The American Sonnet
Poet and scholar team Dora Malech and Laura T. Smith collect and foreground an impressive range of sonnets, including formal and formally subversive sonnets by established and emerging poets, highlighting connections across literary moments and movements. Poets include Phillis Wheatley, Fredrick Goddard Tuckerman, Emma Lazarus, Paul Laurence Dunbar, Gertrude Stein, Fradel Shtok, Claude McKay, Edna St. Vincent Millay, Ruth Muskrat Bronson, Langston Hughes, Muriel Rukeyser, Gwendolyn Brooks, Dunstan Thompson, Rhina P. Espaillat, Lucille Clifton, Marilyn Hacker, Wanda Coleman, Patricia Smith, Jericho Brown, and Diane Seuss. The sonnets are accompanied by critical essays that likewise draw toget...
What I Say
What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain’t Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day. The elder poets in this collection, such as Nathaniel Mackey, C. S. Giscombe, Will Alexander, and Ron Allen, came of age during and were powerfully influenced by the Black Arts M...
The Decameron
One Hundred Tales, One Great Masterpiece “To have compassion for those who suffer is a human quality which everyone should possess, especially those who have required comfort themselves in the past and have managed to find it in others. ” - Giovanni Boccaccio, The Decameron The Black Death is upon Europe and the beautiful city of Florence. How can you escape it one must wonder? The 14th-century Italian writer came up with a solution in his masterpiece, The Decameron: story-telling. He gathered seven young women and three young men in a remote villa outside the city with one sole purpose: to tell 100 unique stories about humanity’s great fortunes and misfortunes. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
I'll Drown My Book
This book includes work by 64 women from 10 countries. Contributors respond to the question: What is conceptual writing? 'I'll Drown My Book' offers feminist perspectives within this literary phenomenon.
The Monumental Misrememberings
the monumental misrememberings is a meditation on death. It's a curious insight on the creative and violent ways in which Black girls, women, trans women and femmes often become displaced, experience death, and subjugation as a result of patriarchal systems in America. This debut collection of poems by Mimi Tempestt operates through this specific lens, not to romanticize the pain of Black femme bodies, but to bring light to this sadistic truth. When we turn on the television, when we log into social media, when we look in the mirror, the normalcy of how often and creatively Black women are murdered weighs on our conscience. the monumental misrememberings addresses our unwillingness to grapple with these violences, and places front and center the realities faced by Black femmes.
