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Poetry. African & African American Studies. Women's Studies. Diane Exavier's book-length lyric is an attempt to do the math of a woman, of a family, of a country, of a diaspora. The sum of one life reveals the permutations of many: daughters, sisters, lovers. The cost of one death is uncountable. Exavier's voice has the heart-stilling gravity of a weary prophet. With THE MATH OF SAINT FELIX, she has continued the work of generations. This book is ledger and legacy.
A collection of essays, oral histories, and artworks about periods across all stages of life, compiled by the editor of the New York Times bestselling anthology My Little Red Book. Rachel Kauder Nalebuff was a shy teenager who was embarrassed to talk about anything relating to the body when she first heard her great aunt's harrowing story of getting her first period while on a train fleeing Nazi-occupied Poland. Rachel started wondering about other stories like this, other intimate histories that have never been told. She started asking people--friends, family members, and later, artists, writers, politicians, and public thinkers--about their own memories of menstruation and growing up. Stor...
Climate anxiety is real—and this practical, accessible guide helps address it on personal, relational, and structural levels, from the founder of the Climate Anxiety Counseling Booth. Summer after summer is the hottest on record. People’s homes are flooding, burning, blowing away. We live with the loss, pain, and grief of what’s happened, and anxiety for what might happen next, as the systems in which we live are increasingly strained. Lessons from the Climate Anxiety Counseling Booth addresses our collective concerns with empathy, grace, and practical strategies to help us all envision a viable future. By moving through your personal and general climate anxiety, frustration, helplessn...
Poetry. Fiction. Drama. African & African American Studies. LGBTQIA Studies. THE HIGH ALIVE: AN EPIC HOODOO DIPTYCH, published tête-bêche (head to toe), is made up of "The Light Body" and "The Utterances." Together, they take up excess and extinction in speculative lyric. Page is transformed into space for a performative prose in this mythopoesis of blackness and queerness, of return and foray. "The Light Body" surveys the spiritual architecture of the site where longing encounters memory, and grief allows survival, inside and against the reverberations of war. Noah and Micah return to their home in rural Mississippi, where the lovers call upon--SHU--, a manifestation of the owner of roads...
A groundbreaking examination of how twentieth-century African American writers use queer characters to challenge and ultimately reject subjectivity Black Queer Flesh reinterprets key African American novels from the Harlem Renaissance to Black Modernism to contemporary literature, showing how authors have imagined a new model of black queer selfhood. African American authors blame liberal humanism’s model of subjectivity for double consciousness and find that liberal humanism’s celebration of individual autonomy and agency is a way of disciplining Black queer lives. These authors thus reject subjectivity in search of a new mode of the self that Alvin J. Henry names “black queer flesh...
The 115th volume of the Yale Series of Younger Poets is a lyrical and polyvocal exploration of what it means to fight for yourself “Bailey invites us to see what twenty-first-century life is like for a young woman of the Black diaspora in the long wake of a history of slavery, brutality, and struggling for freedoms bodily and psychological.” —Carl Phillips, from the Foreword The 115th volume of the Yale Series of Younger Poets, What Noise Against the Cane is a lyric quest for belonging and freedom, weaving political resistance, Caribbean folklore, immigration, and the realities of Black life in America. Desiree C. Bailey begins by reworking the epic in an oceanic narrative of bondage and liberation in the midst of the Haitian Revolution. The poems move into the contemporary Black diaspora, probing the mythologies of home, belief, nation, and womanhood. Series judge Carl Phillips observes that Bailey’s “poems argue for hope and faith equally. . . . These are powerful poems, indeed, and they make a persuasive argument for the transformative powers of steady defiance.”
The poems in Paul Hlava Ceballos’s debut collection banana [ ] reveal the extractive relationship the United States has with the Americas and its people through poetic portraits of migrants, family, and personal memories. At the heart of the book is a long poem that traces the history of bananas in Latin America using only found text from sources such as history books, declassified CIA documents, and commercials. The book includes collage, Ecuadorian decimas, a sonnet series in the voices of Incan royalty at the moment of colonization, and a long poem interspersed with photos and the author’s mother’s bilingual idioms. Traversing language and borders, history and story, traditional and invented forms, this book guides us beyond survival to love.
Windham-Campbell Prize, Winner OCM Bocas Prize for Caribbean Literature, Winner OCM Bocas Prize for Caribbean Literature Poetry, Winner Griffin Poetry Prize, Winner Derek Walcott Prize for Poetry, Winner Rebel Women Lit Caribbean Readers' Awards, Finalist Governor General's Literary Award for Poetry, Finalist Trillium Book Award for Poetry, Finalist Raymond Souster Award, Longlist Pat Lowther Memorial Award, Longlist Quill & Quire 2020 Books of the Year: Editor’s Picks CBC Best Canadian Poetry of 2020 Winnipeg Free Press Top 10 Poetry Picks of 2020 The Paris Review, Contributor's Edition, Best Books of 2020 The Dyzgraphxst presents seven inquiries into selfhood through the perennial figure Jejune. Polyvocal in register, the book moves to mine meanings of kinship through the wide and intimate reach of language across geographies and generations. Against the contemporary backdrop of intensified capitalist fascism, toxic nationalism, and climate disaster, the figure Jejune asks, how have I come to make home out of unrecognizability. Marked by and through diasporic life, Jejune declares, I was not myself. I am not myself. My self resembles something having nothing to do with me.
This anthology is a poly-vocal, visually stunning answer to the question, What are the sounds of community and how they are handed down? A home for Black art and culture in Seattle's Central District, with this anthology Wa Na Wari makes a home for the essays, poetry, scores, scripts and silences of the Black poets, musicians, artists and scholars assembled by editors Rachel Kessler and Elisheba Johnson to wonder about the time-traveling, place-making power of sound. Contributors: Anastacia-Reneé, Kamari Bright, Thione Diop, Mary Edwards, Rachael F., Aricka Foreman, Rell Be Free, Amir George, Chantal Gibson, Walis Johnson, JusMoni, Anaïs Maviel, Larry Mizell Jr., Okanomodé, Christina Sharpe
An illustrated guide to celebrating alternative futures today! Second Edition. Cardboard sculpting how-to, karaoke songbook, naturedrag theorization, 450-million-year-long love letter to horseshoe crabs, field guide to a different future--BLOODTIDE proposes exactly what we need in a form we never imagined: a new kind of holiday in homage to the ancient Horseshoe Crab. BLOODTIDE is drawn from the author's own need for new cultural practices and extended as an offering for anybody to use with hopes of contributing to collective liberation. It attempts queer futurity, without mythologies of settler innocence and with sustained recognition that time extends through our ancestors: recent ones and...