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Working with Foucault in Education
Education has a long tradition of opening itself up to new ideas and new ideas are what Working with Foucault in Education is all about. The book introduces readers to the scholarly work of Michel Foucault at a level that it neither too demanding not too superficial.
Photography and Ontology
This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form. What makes photographic images unsettling and how do the re-uses and interpretations of photographic images unsettle the self-evident reality of the visual field? Taking up these themes, this book examines the role of photography as a revelatory medium underscored by its complex association with history, memory, experience and identity.
Photography and Place
As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.
Photography and Place
As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.
Modernist Aesthetics in Transition
"Offering a fresh perspective on the cultural transition between Weimar- and National Socialist-era Germany, this interdisciplinary volume explores the fate of modernism following the censorship of the Nazi years. Presenting essays on architecture, painting, cabaret, typography, and commercial design, the volume explores how modern styles like New Vision photography, Dada, and Neue Sachlichkeit coexisted with established artistic modes and generated a productive tension that persisted during the Nazi era. Bridging photography, moving image, and painting, Aesthetics in Transition provides a deeper understanding of the complex interplay between tradition and modernity in early-20th-century Germany"--
Empathic Vision
This book analyzes contemporary visual art produced in the context of conflict and trauma from a range of countries, including Colombia, Northern Ireland, South Africa, and Australia. It focuses on what makes visual language unique, arguing that the "affective" quality of art contributes to a new understanding of the experience of trauma and loss. By extending the concept of empathy, it also demonstrates how we might, through art, make connections with people in different parts of the world whose experiences differ from our own. The book makes a distinct contribution to trauma studies, which has tended to concentrate on literary forms of expression. It also offers a sophisticated theoretical analysis of the operations of art, drawing on philosophers such as Gilles Deleuze, but setting this within a postcolonial framework. Empathic Vision will appeal to anyone interested in the role of culture in post-September 11 global politics.
A Progressive Voice in the Catholic Church in the United States
In the summer of 1966, one year after the conclusion of the Second Vatican Council, a group of nineteen Roman Catholic priests met clandestinely in a church hall in a suburb of Pittsburgh to discuss forming an independent group of ordained clergy. Fearful that meeting publicly might be viewed as a threat to the authority of the local bishop, thus potentially risking sanctioning from him, they used numbers, not names, when circulating the minutes of the first two meetings. Once the word spread among the local clergy that such a group was meeting, and they realized there was widespread interest, they went public and invited all of Pittsburgh’s Catholic clergy, including the bishop, to their ...
From Bataan to Freedom
Errett Lujan served during World War II with the U.S. Army 200th/515th Coast Artillery (Anti-aircraft) Regiment in the Philippines, the largest regiment on the islands when the Japanese invaded just hours after Pearl Harbor. The regiment was credited as both the first and the last to fire on the enemy before surrendering. Lujan survived the invasion, the Bataan Death March and more than three years in POW camps. After the war, he said little to his family about his harrowing experiences. Written by his daughter, this lovingly researched narrative pieces together the story of his service and his imprisonment, drawing on Lujan's diaries and letters, and original interviews with 200th/515th survivors and former POWs.
Breathing Room
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Martyrs of Hope
Here is the riveting and troubling story of seven U.S. martyrs in Central America who laid down their lives for their neighbors: Father Stanley Rother, Brother James Miller, Sisters Maura Clarke, Ita Ford, Dorothy Kazel, and Carla Piette, and lay-missioner Jean Donovan.
