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"Tracing Alan Jarvis' personal background and varied careers through archives, published sources, and interviews with family, friends, colleagues, and critics, Bringing Art to Life assesses his impact and exposes the formal and informal mechanisms through which Canadian culture operated in the mid-twentieth century." --Résumé de l'éditeur.
By the end of World War I, the skyrocketing divorce rate in the United States had generated a deep-seated anxiety about marriage. This fear drove middle-class couples to seek advice, both professional and popular, in order to strengthen their relationship
In this witty and compelling defence of the art field itself, Joan Murray, one of the country's most outspoken art historians, discusses the great figures of Canadian art and the rise of our national are in institutions such as the Art Gallery of Ontario.
He demonstrates that these communities of experts are divided on such questions as, Can a novel or film be both high art and obscene? and, Is the world of heterosexual pornography categorically different from the worlds of gay and lesbian pornography? He observes that the ideas of an "average" psychological or behavioral response to a story or an image and the "community" standard of decency or tolerance are outmoded myths that elude all attempts at careful measurement. Nowlin concludes that lack of agreement among experts, for example, as to how and why some sexually explicit imagery titillates or pleases some people, while disgusting or demeaning others, can no longer be viewed simply in terms of moral, religious, or even political predilections. Judging Obscenity traces the way freedom of speech and the right to equality have taken shape within the worlds of pornographic expression and consumption and provides a historical glimpse of changing views about literature and art, as well as a critical examination of the nature of social science research in matters of human sexuality, media-response, and sexual expression.