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Desde su aparición en la Italia del Renacimiento y durante su posterior formalización en Francia durante los siglos XVIII y XIX, el ballet o danza clásica utilizó la transmisión oral para difundirse como género danzario. Aunque el legado de maestros legendarios como Pierre Beauchamps, August Bournonville y Carlo Blasis quedó escrito en los cuerpos de los jóvenes bailarines, la información sistematizada de las metodologías creadas por diferentes escuelas para su enseñanza es escasa. Además, hoy en día es común encontrar docentes de este género danzario que, aunque tienen un dominio técnico y expresivo, no tienen formación pedagógica ni metodológica para transmitir un saber ...
El presente texto es resultado de la primera investigación en danza, desarrollada desde la Facultad de Artes ASAB, procura al ser un proyecto precursor en el país, contribuir a dar soluciones de tipo metodológico y pedagógico en la enseñanza de la danza, reconociendo la pertinencia de cimentar conceptualmente un campo relativamente nuevo en la educación superior. El estudio está enfocado a una técnica de análisis de ejercicios específicos de técnica de ballet y de técnica de danza contemporánea, identificando las fases, lo cual permite determinar, comprender y crear diferentes ejercicios acordes a las particularidades y niveles de cada estudiante, viabilizandola cualificación de los procesos técnicos y disminuyendo así el índice de lesiones. Por consiguiente al tener una mayor claridad de las fases metodológicas para la ejecución de las técnicas se pueden optimizar los procesos de enseñanza-aprendizaje, desarrollar ejercicios específicos y didácticos para la adquisición de los gestos motores dancísticos, dependiendo de nuestra biotipología y condiciones anatómicas.
La expresión corporal en la danza es un lenguaje universal que va más allá de las palabras. Cada gesto, mirada y posición del cuerpo durante una coreografía revela una historia única. Los bailarines logran expresarse con precisión y gracia gracias a la interacción de músculos, articulaciones, reflejos y sentidos. Las neurociencias también desempeñan un papel crucial al comprender cómo trabajar posturas y movimientos de manera consciente para prevenir lesiones. Este libro, dirigido tanto a amantes de la danza como a formadores y alumnos, ofrece una visión integral de la danza desde una perspectiva anatómica y neurológica. Su objetivo es enriquecer la experiencia de quienes se dedican al estudio de la danza y la expresión corporal.
When movie lovers speak of the "Lubitsch touch," they refer to a singular sense of style and taste, humor and humanity, that suffused the films of one of Hollywood's greatest directors. In this first ever full-length biography of Ernst Lubitsch, Scott Eyman takes readers behind the scenes of such classic films as Trouble in Paradise (1932), The Merry Widow (1934), Bluebeard's Eighth Wife (1938), Ninotchka (1939), The Shop around the Corner (1940), To Be or Not to Be (1942), and Heaven Can Wait (1943), which together constitute one of the most important and influential bodies of work in Hollywood. Eyman examines both the films Lubitsch crafted and the life he lived—his great successes and his overwhelming anxieties—to create an indelible portrait of Hollywood's Golden Age and one of its most respected artists.
Everyone knows about the Ramsays - even those who have never watched a Ramsay film. But who were they really? Where did they come from? Why did they make the films they did? And how? How, really, did they pull it off? In India, the Ramsay name remains synonymous with horror movies. Still, all these decades later.Don't Disturb the Dead is the story of their cinema, their methods and madnesses, the people and the processes, arguments and agreements, about horror cinema as a business model, and more. It is also an open-minded and affectionate ode to the 'disreputable' Ramsay films, and to a family that was once a genre in itself, one whose contribution to cinema deserves to be recognized.
Inspired by the Stage Door Canteen in New York, Bette Davis and John Garfield saw the need of a similar enterprise on the West Coast. From 1942 to 1945, over three million servicemen came through its doors on their way to fight in the Pacific--some never to return. There, in a converted barn in the heart of Hollywood, soldiers were fed, entertained by and danced with some of the biggest stars in the world ... Knowing they were so appreciated, the soldiers were armed with the kinds of hope and encouragement that would help them win a war.--from the back cover.
Excerpt from Source Problems English History Typical Civil Pleas before the Justices of the Bench and before the Justices in Eyre. 1200-1202 Typical Pleas of the Crown before the Justices Itinerant. 1201-1203 Typical Pleas of the Crown before the Justices Itinerant in Gloucestershire. 1221. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Healing the split between my mind and my body has been my life's challenge. In the sixty years that I have practiced psychotherapy, I have learned that the pathway to emotional health is through the body. The underlying purpose of Bioenergetic Analysis has always been to heal the mind-body split." - From the Introduction. Alexander Lowen was a teacher, lawyer, medical doctor, psychotherapist, writer, and a pioneer in the fields of body-psychotherapy and psychobiology. His life and work are recorded in this candid autobiography. His work continues to resonate today.
'A compelling page-turner that looks at celebrity lives and the costs and collateral damage of stardom' - Namita Gokhale 'An emotional roller-coaster, a great read' - Anupam Kher 'Immensely inspiring and deeply moving' - Feroz Abbas Khan There is much unrest in Vardaan, home to the powerful Bollywood family, the Mehras. Superstar Raj has decided to leave his wife Simran for the reigning queen of Hindi cinema, Sia. Simran, a former actress but a homebody now, is out of shape and down in the dumps. Her in-laws dote on her but can't seem to dissuade their son from spending his days and nights with Sia. Besides, their only daughter, Ashima, has walked out of an unhappy marriage and returned home to announce she wants to be an actor. The Mehras have their hands full, and in the midst of all this, Raj and Simran's children suffer as the news of their father's affair pours in relentlessly. How is Simran ever going to seek out happiness in this maze of rejection ? A compelling saga of love and betrayal, Gajra Kottary's new novel gives us an insider's view of the world of cinema and the many faces of an industry where fame is fleeting and everything is as real as it is make-believe.