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Mardi Gras Beads
Beads are one of the great New Orleans symbols, as much a signifier of the city as a pot of scarlet crawfish or a jazzman’s trumpet. They are Louisiana’s version of the Hawaiian lei, strung around tourists’ and conventioneers’ necks to demonstrate enthusiasm for the city. The first in a new LSU Press series exploring facets of Louisiana’s iconic culture, Mardi Gras Beads delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. Beads are a big business based on valuelessness. Approximately 130 shipping containers, each filled with 40,0...
Hurricane Katrina
In 2005, Hurricane Katrina, one of the deadliest tropical cyclones in U.S. history, left devastation from Florida to Texas. Editor Ebonie Ledbetter has compiled several essays and primary sources that provide readers with a deep understanding of this event. This book summarizes the events that occurred before, during, and after the storm that devastated the Gulf Coast. Readers will examine how communities such as New Orleans were unprepared, and the failure of government agencies such as F.E.M.A. to respond in an effective manner. New information will be cemented in the reader's mind as they experience compelling first-hand accounts as well. This book features an annotated table of contents, a world map, a chronology, glossary of key terms, bibliography, and subject index.
Routledge Handbook of Graffiti and Street Art
The Routledge Handbook of Graffiti and Street Art integrates and reviews current scholarship in the field of graffiti and street art. Thirty-seven original contributions are organized around four sections: History, Types, and Writers/Artists of Graffiti and Street Art; Theoretical Explanations of Graffiti and Street Art/Causes of Graffiti and Street Art; Regional/Municipal Variations/Differences of Graffiti and Street Art; and, Effects of Graffiti and Street Art. Chapters are written by experts from different countries throughout the world and their expertise spans the fields of American Studies, Art Theory, Criminology, Criminal justice, Ethnography, Photography, Political Science, Psycholo...
Conflict Graffiti
"Graffiti is by nature a protean art. In movies, it is often the backdrop used to create a sense of danger and lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. In protests, it is a resistive tool, visually displaying the cacophony of disparate voices and interests that come together to make up a movement. Every graffito has an unstable afterlife-fated to be added to, transformed, overlaid, photographed, reinterpreted, or painted over. In short, as this book artfully explains, graffiti makes for messy politics. It brings the unwieldiness of the crises it engages to the fore, giving shape to a conflict's evolving nature. The book closely exa...
The Big Muddy
In The Big Muddy, the first long-term environmental history of the Mississippi, Christopher Morris offers a brilliant tour across five centuries as he illuminates the interaction between people and the landscape, from early hunter-gatherer bands to present-day industrial and post-industrial society. Morris shows that when Hernando de Soto arrived at the lower Mississippi Valley, he found an incredibly vast wetland, forty thousand square miles of some of the richest, wettest land in North America, deposited there by the big muddy river that ran through it. But since then much has changed, for the river and for the surrounding valley. Indeed, by the 1890s, the valley was rapidly drying. Morris...
Stories from the St. Louis Cemeteries of New Orleans
The tombs and graves of the St. Louis Cemeteries rise from the ground, creating labyrinthine memorials aptly dubbed "cities of the dead." Most are in even rows with quaint street names. Some are of crumbling brick and broken marble. Others are miniature mansions clad in decorative ironwork with angelic guardians. Grand or humble, each is a relic of the story of New Orleans. Politicians, pirates, Mardi Gras Indian chiefs and one voodoo queen rest below. In an unprecedented inquiry, author Sally Asher reveals the lives within the mysterious and majestic tombs of the St. Louis Cemeteries.
Classic Restaurants of New Orleans
Every New Orleanian knows Leah Chase's gumbo, but few realize that the Freedom Fighters gathered and strategized over bowls of that very dish. Or that Parkway's roast beef po-boy originated in a streetcar conductors' strike. In a town where Antoine's Oysters Rockefeller is still served up by the founder's great-great-grandson, discover the chefs and restaurateurs who kept their gas flames burning through the Great Depression and Hurricane Katrina. Author Alexandra Kennon weaves the classic offerings of Creole grande dames together with contemporary neighborhood staples for a guide through the Crescent City's culinary soul. From Brennan's Bananas Foster to Galatoire's Soufflé Potatoes, this collection also features a recipe from each restaurant, allowing readers to replicate iconic New Orleans cuisine at home.
Drowned City
Marking the10th anniversary of Hurricane Katrina, this companion to The Great American Dust Bowl combines lively drawings and authoritative memoir in graphic novel form to recount one of the most destructive and devastating natural disasters in our American history.
Hell and High Water
The genesis and aftermath of the print edition's death knell. In May 2012, the New York Times broke a story that the internationally acclaimed, locally beloved, Pulitzer Prize-winning New Orleans Times-Picayune would become a three-day-a-week publication. The profitable newspaper slashed its veteran newsroom, antagonized the city, state, and nation, and jeopardized its vaunted reputation-all in an effort to create a new blueprint for American newspapers in the increasingly digital world. Here is the insider's account of the outrage, betrayal, and aftermath of the death of the daily edition of the Times-Picayune.
