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Trad Dads, Dirty Boppers and Free Fusioneers
Nominated for the 2012 Association for Recorded Sound Collections Awards for Excellence in Historical Recorded Sound Research. A musical companion CD, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz 1961-1975 (RR026), including ten rare recordings, is available from independent Canadian record label Reel Recordings. Proceeds to the Musicians Benevolent Fund UK. The 1960s was a decade of major transformation in British jazz and in British popular music in general. The British jazz scene had been, arguably, the first outside America to assert its independence. At first slowly but with gathering speed, it began to define an identity that drew increasingly on sources from within its o...
George Russell
George Russell: The Story of an American Composer is the first biography of one of the greatest figures in jazz, written with Russell's full cooperation. Extensively researched with interviews from friends, family members, musicians, associates, and commentators on jazz, the book contains valuable insights that reveal many previously unknown facts about Russell's life.
Stratusphunk
Stratusphunk - George Russell was a unique figure in jazz. He was a theoretician, a composer of note, a working musician, and an educator. He began his life's work developing the Lydian Chromatic Concept of Tonal Organization in the mid-forties. One of a rare breed of thinker-musicians, through his ideas and music, Russell had a remarkable influence on the development of jazz after 1950. From his early composition with Dizzy Gillespie of "Cubano-Be, Cubano-Bop," through the changes wrought by modal jazz as a consequence of his ideas, to his impact on the Scandinavian and European scenes, his achievements are among the most outstanding in the music. His life story weaves its way through conte...
Mosaics
Biography of Graham Collier, an important and influential figure among the UK hotbed of modern-jazz musicians in the 60s and into the 70s.
The Bebop Scene in London's Soho, 1945-1950
This is the first book to tell the story of the bebop subculture in London’s Soho, a subculture that emerged in 1945 and reached its pinnacle in 1950. In an exploration via the intersections of race, class and gender, it shows how bebop identities were constructed and articulated. Combining a wide range of archival research and theory, the book evocatively demonstrates how the scene evolved in Soho’s clubs, the fashion that formed around the music, drug usage amongst a contingent of the group, and the moral panic which led to the police raids on the clubs between 1947 and 1950. Thereafter it maps the changes in popular culture in Soho during the 1950s, and argues that the bebop story is an important precedent to the institutional harassment of black-related spaces and culture that continued in the twentieth and twenty-first centuries. This book therefore rewrites the first chapter of the ‘classic’ subcultural canon, and resets the subcultural clock; requiring us to rethink the periodization and social make-up of British post-war youth subcultures.
The Rebel Café
Subterranean nightspots in 1950s New York and San Francisco were social, cultural, and political hothouses for left-wing bohemians. The art and antics of rebellious figures in 1950s American nightlife—from the Beat Generation to eccentric jazz musicians and comedians—have long fascinated fans and scholars alike. In The Rebel Café, Stephen R. Duncan flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness. This book is a collective biography of ...
Is Jazz Dead?
Is Jazz Dead? examines the state of jazz in America at the turn of the twenty-first century. Musicians themselves are returning to New Orleans, Swing, and Bebop styles, while the work of the '60s avant-garde and even '70s and '80s jazz-rock is roundly ignored. Meanwhile, global jazz musicians are creating new and exciting music that is just starting to be heard in the United States, offering a viable alternative to the rampant conservatism here. Stuart Nicholson's thought-provoking book offers an analysis of the American scene, how it came to be so stagnant, and what it can do to create a new level of creativity. This book is bound to be controversial among jazz purists and musicians; it will undoubtedly generate discussion about how jazz should grow now that it has become a recognized part of American musical history. Is Jazz Dead? dares to ask the question on all jazz fan's minds: Can jazz survive as a living medium? And, if so, how?
Jazz in Europe
Should we talk of European jazz or jazz in Europe? What kinds of networks link those who make it happen 'on the ground'? What challenges do they have to face? Jazz is a part of the cultural fabric of many of the European countries. Jazz in Europe: Networking and Negotiating Identities presents jazz in Europe as a complex arena, where the very notions of cultural identity, jazz practices and Europe are continually being negotiated against an ever changing social, cultural, political and economic environment. The book gives voice to musicians, promoters, festival directors, educators and researchers regarding the challenges they are faced with in their everyday practices. Jazz identities in Europe result from the negotiation between discourse and practice and in the interstices between the formal and informal networks that support them, as if 'Jazz' and 'Europe' were blank canvases where diversified notions of what jazz and Europe should or could be are projected.
Representing Black Music Culture
In this collection of essays, interviews, and profiles, William C. Banfield reflects on his life as a musician and educator, weaving together pieces of cultural criticism and artistry and paying homage to Black music of the last forty years and beyond. The essays and interviews in Representing Black Music Culture: Then, Now, and When Again? are enhanced by seven years of daily diary entries that reflect on some of the country's most respected Black composers, recording artists, authors, and cultural icons, including Ornette Coleman, Bobby McFerrin, Toni Morrison, Amiri Baraka, Gordon Parks, the Marsalis brothers, Maya Angelou, Patrice Rushen, Billy Taylor, Herbie Hancock, and Quincy Jones. A...
Art and Entertainment
Philosophers have discussed art – or artistic practices such as poetry – since ancient times. But systems of art and entertainment appeared only in the modern era – in the West, during the 18th and 19th centuries. And philosophers have largely neglected the concept of entertainment. In this book Andy Hamilton explores art and entertainment from a philosophical standpoint. He argues, against modernist theory, that art and entertainment are not opposites, but form a loosely connected conceptual system. Against postmodernism, however, he insists on their vital differences. Hamilton begins by questioning the received modernist view, examining artist-entertainers including Jane Austen, Char...
