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PNCC Studies
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Grundzüge der Verhaltensökonomie
Grundzüge der Verhaltensökonomie vermittelt ein ganzheitliches Verständnis wesentlicher Grundlagen menschlichen Verhaltens. Die Rolle des Menschen in der Wirtschaft wird in den Mittelpunkt gerückt, indem dessen tatsächliches Entscheidungsverhalten, einschließlich seiner irrational erscheinenden Aspekte, wie Denkfallen und Emotionen, dem Verständnis vom Homo oeconomicus entgegengehalten wird. Daraus ergibt sich eine Neubewertung der traditionell von Ökonomen angenommenen Rationalität und Kalkulierbarkeit wirtschaftlicher Entscheidungen, die das Lehrbuch Schritt für Schritt darlegt. Diese Neubewertung durch die noch recht junge Disziplin der Verhaltensökonomie wird durch die Berück...
Slavs in the Middle Ages Between Idea and Reality
Presenting the history of the Slavs in the Middle Ages in a new light, this study shows how the 'Slavs' were treated as a cultural construct and as such politically instrumentalized, and describes the real structures behind the phenomenon.
A History of Modern Political Thought in East Central Europe
A History of Modern Political Thought in East Central Europe is a two-volume project, authored by an international team of researchers, and offering the first-ever synthetic overview of the history of modern political thought in East Central Europe. Covering twenty national cultures and languages, the ensuing work goes beyond the conventional nation-centered narrative and offers a novel vision especially sensitive to the cross-cultural entanglement of discourses. Devising a regional perspective, the authors avoid projecting the Western European analytical and conceptual schemes on the whole continent, and develop instead new concepts, patterns of periodization and interpretative models. At t...
Religion and the Rise of Nationalism
Currently part of Poland, the city of Poznan straddled an ethnic border zone of sorts prior to World War II, on the edge of a predominantly German sphere of settlement to the west and a predominantly Polish sphere to the east. This juxtaposition of cultures helped stimulate the development of vigorous nationalist movements in the first half of the nineteenth century, and Poznan emerged as an important center of such activity among Germans and Poles alike. Robert E. Alvis tracks the rise of nationalism in Poznan and examines how religious affiliation factored into the process. Drawing upon a wealth of archival data, including memoirs, police and government correspondence, and parish and archd...
History of the Literary Cultures of East-Central Europe
Continuing the work undertaken in Vol. 1 of the History of the Literary Cultures of East-Central Europe, Vol. 2 considers various topographic sites--multicultural cities, border areas, cross-cultural corridors, multiethnic regions--that cut across national boundaries, rendering them permeable to the flow of hybrid cultural messages. By focusing on the literary cultures of specific geographical locations, this volume intends to put into practice a new type of comparative study. Traditional comparative literary studies establish transnational comparisons and contrasts, but thereby reconfirm, howev.
The End of Literature, Hegel, and the Contemporary Novel
This book explores the concept of the end of literature through the lens of Hegel's philosophy of art. In his version of Hegel's 'end of art' thesis, Arthur Danto claimed that contemporary art has abandoned its distinctive sensitive and emotive features to become increasingly reflective. Contemporary art has become a question of philosophical reflection on itself and on the world, thus producing an epochal change in art history. The core idea of this book is that this thesis applies quite well to all forms of art except one, namely literature: literature resists its 'end'. Unlike other arts, which have experienced significant fractures in the contemporary world, Campana proposes that literature has always known how to renew itself in order to retain its distinguishing features, so much so that in a way it has always come to terms with its own end. Analysing the distinct character of literature, this book proposes a new and original interpretation of the 'end of art' thesis, showing how it can be used as a key conceptual framework to understand the contemporary novel.
