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Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. Ho...
Though popular opinion would have us see Alice’s Adventures in Wonderland and Through the Looking Glass and What Alice Found There as whimsical, nonsensical, and thoroughly enjoyable stories told mostly for children; contemporary research has shown us there is a vastly greater depth to the stories than would been seen at first glance. Building on the now popular idea amongst Alice enthusiasts, that the Alice books - at heart - were intended for adults as well as children, Laura White takes current research in a new, fascinating direction. During the Victorian era of the book’s original publication, ideas about nature and our relation to nature were changing drastically. The Alice Books a...
Spanish Jesuits such as Francisco Suárez (1548–1617), José de Acosta (1540–1600), Pedro de Ribadeneira (1526-1611) and Juan de Mariana (1536-1624) had a powerful impact on English thinkers of the magnitude of John Locke (1632–1704), Francis Bacon (1561-1626), Robert Persons (1546-1610), Algernon Sidney (1623-1683), and, later, William Robertson (1721–1793), Thomas de Quincey (1785–1859) and Hilaire Belloc (1870–1953). An influence that was sometimes hidden and always controversial. This work highlights the importance of this influence regarding thought on politics, law and natural rights. A constitutionalist understanding of political power, the recognition and promotion of inn...
This is the first history of Oxford and Cambridge drama in the Tudor and Stuart period. It guides the reader through the theatrical experiences of students at university in early modern England and follows the students on the journey from schoolboys to scholars to graduates in the workplace. Early Modern Drama at the Universities is structured to make the subject as accessible as possible, mitigating the difficulties of this sizeable and complex body of evidence. The hundreds of plays that we have inherited from Oxford and Cambridge are steeped in Classical culture, and the academic establishment's bias against print culture means that most evidence remains in manuscript form. Opening up the...
From one of the leading historians of Christianity comes this sweeping reassessment of religious freedom, from the church fathers to John Locke In the ancient world Christian apologists wrote in defense of their right to practice their faith in the cities of the Roman Empire. They argued that religious faith is an inward disposition of the mind and heart and cannot be coerced by external force, laying a foundation on which later generations would build. Chronicling the history of the struggle for religious freedom from the early Christian movement through the seventeenth century, Robert Louis Wilken shows that the origins of religious freedom and liberty of conscience are religious, not political, in origin. They took form before the Enlightenment through the labors of men and women of faith who believed there could be no justice in society without liberty in the things of God. This provocative book, drawing on writings from the early Church as well as the sixteenth and seventeenth centuries, reminds us of how "the meditations of the past were fitted to affairs of a later day."
The first volume of a major two-volume study centers on the fortunes of Michel de Montaigne's Essais in both the early-modern (1580-1725) and the modern period (1900-2000). This volume examines how the Essais made Montaigne a patron-author or instant classic in the eyes of his peers.
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"Professor Machan explores for the first time fully a new dimension in the understanding of the role of the English language in medieval England. He is rigorous and sceptical in his examination of assumptions that have come to be too easily accepted - about the rise of 'standard' English, about 'linguistic nationalism', about the role of Lollardy in fostering the vernacular, about the intrinsic funniness of regional dialects. He uses literary texts well, and offers, from his particular linguistic vantage-point, new and compelling interpretations of the dialect northernisms in Chaucer's Reeve's Tale and of the subtleties of the 'sociolect' of courtly love-conversation in Sir Gawain and the Gr...