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Teffi
Teffi was one of twentieth century Russia's most celebrated authors. Born Nadezhda Lokhvitskaya in 1872, she came to be admired by an impressive range of people – from Tsar Nicholas II to Lenin – and her popularity was such that sweets and perfume were named after her. She visited Tolstoy when she was 13 to haggle with him about the ending of War and Peace and Rasputin tried (and utterly failed) to seduce her. After the Bolshevik Revolution of 1917 she was exiled and lived out her days in the lively Russian émigré community of Paris, where she continued writing – and enjoying comparable fame – until her death in 1952. Teffi's best stories effortlessly shift from light humour and sa...
Authenticity and Fiction in the Russian Literary Journey, 1790-1840
In illuminating analyses of major texts as well as lesser known but influential works, Andreas Schönle surveys the literary travelogue--a form marked by a fully developed narrator's voice, interpretive impressions, scenic descriptions, and extended narrative--from its emergence in Russia to the end of the Romantic era.
Toxic Voices
Satire and the fantastic, vital literary genres in the 1920s, are often thought to have fallen victim to the official adoption of socialist realism. Eric Laursen contends that these subversive genres did not just vanish or move underground. Instead, key strategies of each survive to sustain the villain of socialist realism. Laursen argues that the judgment of satire and the hesitation associated with the fantastic produce a narrative obsession with controlling the villain’s influence. In identifying a crucial connection between the questioning, subversive literature of the 1920s and the socialist realists, Laursen produces an insightful revision of Soviet literary history.
Reflective Laughter
The end of the Cold War brought new opportunities to explore the long tradition and myriad uses of humour through over two centuries of Russian literature and culture. 'Reflective Laughter' is the first book devoted to an overview of this subject. Bringing together contributions from a number of distinguished scholars from Russia, Europe and North America, this volume ranges from the classics of nineteenth-century literature through to the intellectual and popular comedic culture, both state-sponsored and official, of the twentieth-century, taking in journalism, propaganda, scholarly discourse, jokes, films and television. In doing so, it explores how our understanding remains distorted by the polarization of the East and West during the Cold War.
Noplace Like Home
Noplace Like Home uses four masterpieces of Russian literature--Nikolai Gogol's Dead Souls, Ivan Goncharov's Oblomov, Evgenii Zamiatin's We, and Mikhail Bulgakov's The Master and Margarita--to show the successes and failings in Russia's search for home and self. Interdisciplinary in spirit, Noplace Like Home introduces Russian culture for the first time to the field of "home studies," which explores human identity in terms of man's relationship with domestic space. This broad social context, together with general cultural patterns expressed in the novels, encourages readers to consider even the most current events in Russian society--where identity and stability are again key issues--in terms of "home," "homelessness," and "noplace."
The Master & Margarita
This volume considers the Russian writer Bulgakov's work, The master and Margarita. It opens with the editor's general introduction, discussing the work in the context of the writer's oeuvre as well as its place within the Russian literary tradition. The introductory section also includes considerations of existing translations and of textual problems in the original Russian. The following sections contain several wide-ranging articles by other scholars, primary sources and background material such as letters, memoirs, early reviews and maps.
The Bitter Air of Exile
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.
Twentieth-century Literary Criticism
Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.
The Russian Medical Humanities
For the first time in English, The Russian Medical Humanities: Past and Present argues that the medical humanities is a vibrant and emerging field in Post-Soviet Russia. In a unique collaboration that brings together diverse experts from both Russia and America, this volume showcases the Russian medical humanities as an interdisciplinary project that combines insights from philosophy, bioethics, anthropology, history, and literature in order to provide more compassionate medical care to patients in the twenty-first century. The chapters in this volume explore past and present humanistic trends in Russian medical training, as well as examine how Russian authors and cultural figures, some phys...
Michiganensian
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