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Teffi
Teffi was one of twentieth century Russia's most celebrated authors. Born Nadezhda Lokhvitskaya in 1872, she came to be admired by an impressive range of people – from Tsar Nicholas II to Lenin – and her popularity was such that sweets and perfume were named after her. She visited Tolstoy when she was 13 to haggle with him about the ending of War and Peace and Rasputin tried (and utterly failed) to seduce her. After the Bolshevik Revolution of 1917 she was exiled and lived out her days in the lively Russian émigré community of Paris, where she continued writing – and enjoying comparable fame – until her death in 1952. Teffi's best stories effortlessly shift from light humour and sa...
Mikhail Bulgakov
A foremost Russian writer of the Soviet period, Bulgakov (1891-1940) has attracted much critical attention, yet Haber is the first to explore in depth his formative years. Blending biography and literary analysis of motifs, story, and characterization, Haber tracks one writer's answer to the dislocations of revolution, civil war, and Bolshevism.
Redefining Russian Literary Diaspora, 1920-2020
Over the century that has passed since the start of the massive post-revolutionary exodus, Russian literature has thrived in multiple locations around the globe. What happens to cultural vocabularies, politics of identity, literary canon and language when writers transcend the metropolitan and national boundaries and begin to negotiate new experience gained in the process of migration? Redefining Russian Literary Diaspora, 1920-2020 sets a new agenda for the study of Russian diaspora writing, countering its conventional reception as a subsidiary branch of national literature and reorienting the field from an excessive emphasis on the homeland and origins to an analysis of transnational circu...
Toxic Voices
Satire and the fantastic, vital literary genres in the 1920s, are often thought to have fallen victim to the official adoption of socialist realism. Eric Laursen contends that these subversive genres did not just vanish or move underground. Instead, key strategies of each survive to sustain the villain of socialist realism. Laursen argues that the judgment of satire and the hesitation associated with the fantastic produce a narrative obsession with controlling the villain’s influence. In identifying a crucial connection between the questioning, subversive literature of the 1920s and the socialist realists, Laursen produces an insightful revision of Soviet literary history.
Reflective Laughter
The end of the Cold War brought new opportunities to explore the long tradition and myriad uses of humour through over two centuries of Russian literature and culture. 'Reflective Laughter' is the first book devoted to an overview of this subject. Bringing together contributions from a number of distinguished scholars from Russia, Europe and North America, this volume ranges from the classics of nineteenth-century literature through to the intellectual and popular comedic culture, both state-sponsored and official, of the twentieth-century, taking in journalism, propaganda, scholarly discourse, jokes, films and television. In doing so, it explores how our understanding remains distorted by the polarization of the East and West during the Cold War.
The Master & Margarita
This volume considers the Russian writer Bulgakov's work, The master and Margarita. It opens with the editor's general introduction, discussing the work in the context of the writer's oeuvre as well as its place within the Russian literary tradition. The introductory section also includes considerations of existing translations and of textual problems in the original Russian. The following sections contain several wide-ranging articles by other scholars, primary sources and background material such as letters, memoirs, early reviews and maps.
Noplace Like Home
Explores the way that four major works of Russian literature--Gogol's Dead Souls, Goncharov's Oblomov, Zamiatin's We, and Bulgakov's The Master and Margarita--define a cultural "self" for the Russian people. Focusing on the deep cultural currents that pull Russian society in contradictory ways, Noplace Like Home also explores the writer's struggle to overcome these tensions through the creation of a literary utopia.
Authenticity and Fiction in the Russian Literary Journey, 1790-1840
In illuminating analyses of major texts as well as lesser known but influential works, Andreas Schönle surveys the literary travelogue--a form marked by a fully developed narrator's voice, interpretive impressions, scenic descriptions, and extended narrative--from its emergence in Russia to the end of the Romantic era.
Memories - From Moscow to the Black Sea
An enthralling, elegant, emotional account of a journey into exile, by the wonderful Teffi Moscow, 1918. Following the Revolution, people are leaving the city in droves - bound for the Black Sea, and from there to Europe and beyond. In late autumn, the celebrated writer Teffi is invited on a reading tour; having elegantly navigated the bureaucratic waters for her visa, she spends the winter travelling from Moscow to Kiev, and from there to Odessa and on to Novorossisk, first by train and then by ship. On the shores of the Black Sea, as Spring arrives, Teffi is advised to go abroad for a time, until things have settled down in Russia. She reluctantly agrees, not fully realising that this woul...
The Fatal Eggs
As the turbulent years following the Russian revolution of 1917 settle down into a new Soviet reality, the brilliant and eccentric zoologist Persikov discovers an amazing ray that drastically increases the size and reproductive rate of living organisms. At the same time, a mysterious plague wipes out all the chickens in the Soviet republics. The government expropriates Persikov's untested invention in order to rebuild the poultry industry, but a horrible mix-up quickly leads to a disaster that could threaten the entire world. This H. G. Wells-inspired novel by the legendary Mikhail Bulgakov is the only one of his larger works to have been published in its entirety during the author's lifetime. A poignant work of social science fiction and a brilliant satire on the Soviet revolution, it can now be enjoyed by English-speaking audiences through this accurate new translation. Includes annotations and afterword.
