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Judy Coleman
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Paul Outerbridge
Ob in seinen virtuos inszenierten Werbebildern - Ide Collar, sein Foto eines weißen Hemdkragens, wurde zur Ikone der Werbefotografie - oder den sanften Pastelltönen seiner Akte: Paul Outerbridge (1896-1958) war ein Alchimist der Begierde. Farbe war ein unverzichtbarer Bestandteil seiner ästhetischen Anziehungskraft. Er perfektionierte das komplexe Dreifarben-Carbro-Verfahren, um eine verführerische Oberfläche aus Textur und Ton zu erzeugen, und war ständig auf der Suche nach "künstlichen Paradiesen" - einer Vollkommenheit der Form mit einem surrealen Einschlag. Outerbridge verstand es, in seiner am Kubismus orientierten Produktfotografie Alltagsgegenstände in quasiabstrakte Kompositi...
Other Things
From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? Other Things explores this question by considering a wide assortment of objects—from beach glass to cell phones, sneakers to skyscrapers—that have fascinated a range of writers and artists, including Virginia Woolf, Man Ray, Spike Lee, and Don DeLillo. The book ranges across the literary, visual, and plastic arts to depict the curious lives of things. Beginning with Achilles’s Shield, then tracking the object/thing distinction as it appears in the work of Martin Heidegger and Jacques Lacan, Bill Brown ultimately focuses on the thingness disclosed by specific literary and artistic works. Combining history and literature, criticism and theory, Other Things provides a new way of understanding the inanimate object world and the place of the human within it, encouraging us to think anew about what we mean by materiality itself.
Everydayland
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Paul Outerbridge
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Anxious Interiors
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Artbibliographies Modern
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
