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AFTER YEARS OF SUBMISSION, Mara lives in anxiety and isolation, unsure of herself and her place in the world. But when her nephew Jesus is chased off a cliff, she is thrust into the unknown and forced to confront her deepest fears. As she struggles against the patriarchal oppression of ancient Rome and Judea and learns to love herself, Mara must also come to terms with her son's sexuality, learn to build female friendships and find her own voice. Meanwhile, Joanna grapples with hiding her biracial heritage to avoid being banished by the community as her father was. But as she begins to question her self-identity, she must make a choice: continue passing as something she is not or risk losing...
Written for anyone who is tired of fundraising appeals or may be looking to have more impact with their charitable giving dollar, this book uses engaging dialogue to demonstrate a comprehensive collection of charitable giving strategies available to Canadians today.
When we think of women who challenged the social norms of their day to bring about change, our thoughts may turn to the suffragettes, such as Millicent Fawcett or Emmeline Pankhurst. Or we may think of the nurses of the Crimean War like Florence Nightingale, who risked everything to care for the dying and who changed nursing forever. These women would have been outstanding in any generation and their work has rightly been covered by many authors. However there is another band of pioneering women, whose work has been forgotten and these are the daughters of Jerusalem. The female disciples of Jesus played a crucial role in establishing the early Church and they did so in a society that was highly oppressive towards women. When the apostles were in hiding, these women bravely walked the Via Dolorosa behind Jesus to Calvary. Mary Magdalene and Salome were the first witnesses of the resurrection and they and the other female disciples went on to evangelise themselves in foreign lands. This is their story.
This significant volume moves music-historical research in the direction of deconstructing the national grand narratives in music history, of challenging the national paradigm in methodology, and thinking anew about cultural traffic, cultural transfer and cosmopolitanism in the musical past. The chapters of this book confront, or subject to some kind of critique, assumptions about the importance of the national in the musical past. The emphasis, therefore, is not so much on how national culture has been constructed, or how national cultural institutions have influenced musical production, but, rather, on the way the national has been challenged by musical practices or audience reception.
Includes reports of the government departments.
In recent years everyone from politicians to celebrity chefs has been proselytizing about how we should grow, buy, prepare, present, cook, taste, eat and dispose of food. In light of this, contributors to this book argue that food has become the target of intensified pedagogical activity across a range of domains, including schools, supermarkets, families, advertising and TV media. Illustrated with a range of empirical studies, this edited and interdisciplinary volume - the first book on food pedagogies - develops innovative and theoretical perspectives to problematize the practices of teaching and learning about food. While many different pedagogues - policy makers, churches, activists, hea...
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"This book looks at difficulties and issues that can arise as interpreters work between ASL and English, with exercises at the end of every chapter."--Back cover.
The book examines how men and women in Manenberg township, on Cape Town’s inner periphery, manoeuvre to re-define themselves as gendered persons deserving of dignity, through the quotidian practices of ordentlikheid or respectability. Salo shows how reclamation of dignity is an intergenerational and gendered process that is messy and uneven, involves the expression of often-brutal physical and social exclusion of individuals through embodied and social violence. Theoretically, the narrative makes visible the careful, painstaking processes of place making and claiming dignity by men and women in a place represented as a wasteland in the dominant discourse of grand apartheid and in the contemporary neo-liberal turn in Cape Town.