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Coming Home? Vol. 1
The wars of the twentieth century uprooted people on a previously unimaginable scale to the extent that being a refugee became an increasingly widespread experience. With the arrival of refugees, governments of host countries had to mediate between divided national populations: some wished to welcome those arriving in search of refuge; others preferred a strategy of exclusion or even expulsion. At the same time, refugees had to manage conflicts of the self as they responded to the loss of nationhood, families, socio-political networks, material goods, and arguably also a sense of belonging or home. While return migration was usually perceived by governments and refugees alike as the best sol...
The Politics of Chemistry
Agust Nieto-Galan argues that chemistry in the twentieth century was deeply and profoundly political. Far from existing in a distinct public sphere, chemical knowledge was applied in ways that created strong links with industrial and military projects, and national rivalries and international endeavours, that materially shaped the living conditions of millions of citizens. It is within this framework that Nieto-Galan analyses how Spanish chemists became powerful ideological agents in different political contexts, from liberal to dictatorial regimes, throughout the century. He unveils chemists' position of power in Spain, their place in international scientific networks, and their engagement in fierce ideological battles in an age of extremes. Shared discourses between chemistry and liberalism, war, totalitarianism, religion, and diplomacy, he argues, led to advancements in both fields.
Conversations with Bunuel
This book features extended conversations with Spanish filmmaker Luis Bunuel (1900-1983) and interviews with his family members, friends and colleagues--including Salvador Dali, Louis Aragon and Fernando Rey--conducted by Max Aub in the late 1960s and early 1970s. Notorious for inventing fanciful versions of his life and his creative output, Bunuel was hard put to deceive the astute Max Aub, who shared Bunuel's background in Spain, in Paris during the Spanish Civil War, and in Mexico, where they were friends and collaborators. Originally published in Spain in 1985, this translated (the first in English) and expanded edition (with several significant interviews and a detailed index not found in the original) provides a detailed picture of Bunuel's life and art. Extensive notes contextualize the conversations and acknowledge the discoveries of recent studies on Bunuel.
Conceptualism in Latin American Art
Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed and understood in its own right, not as a derivative of Euroamerican models. In this book, one of Latin Am...
The Weight of the Stars
Octavio Alberola has spent over eighty years thinking, living, and formulating his life from an anarchist perspective. He belongs to a generation of protagonists in some of the twentieth century’s most notable events: the Spanish Revolution, the dictatorship of General Francisco Franco, the internal conflicts of the international anarchist movement, and the great social struggles around the world. He was exiled to Mexico as a youth, and knows the precariousness of a life lived underground. His acquaintances include García Oliver, Che Guevara, Cipriano Mera, Federica Montseny, Félix Guattari, Daniel Cohn-Bendit, Régis Debray, Stuart Christie, Rigoberta Menchú, and Giangiacomo Feltrinelli. In this remarkable, layered biography, Agustín Comotto sits you at the feet of a veteran militant, as content to recall dramatic exploits as to discuss art, physics, family life, or political history. Born in 1928 and active in social struggles since he was a teenager, Alberola conveys hard-earned lessons. Most important of all: never countenance pessimism.
Spanish Culture Behind Barbed Wire
By the end of the Spanish Civil War in March of 1939, almost 500,000 Spaniards had fled Francisco Franco's newly established military dictatorship. More than 275,000 refugees in France were immediately interned in hastily constructed concentration camps, most of which were located along the open shorelines of France's southernmost beaches. This book chronicles the cultural memory of this war refugee population whose stories as camp inmates in the early 1940s remain largely unknown, unlike the wide dissemination of the literature and testimony of the survivors of Nazi death camps. The hidden history of France's seaside camps for Spanish Republicans spawned a rich legacy of cultural works that dramatically demonstrate how a displaced political community began to reconstitute itself from the ruins of war, literally from the sands of exile. Combining close textual analyses of memoirs, poetry, drama, and fiction with a carefully researched historical perspective, Spanish Culture behind Barbed Wire Investigates how the most significant literature of the early post-civil war exile period appropriated the concentration camp as a discursive vehicle.
Memory and Cultural History of the Spanish Civil War
The authors in this anthology explore how we are to rethink political and social narratives of the Spanish Civil War at the turn of the twenty-first century. The questions addressed here are based on a solid intellectual conviction of all the contributors to resist facile arguments both on the Right and the Left, concerning the historical and collective memory of the Spanish Civil War and the dictatorship in the milieu of post-transition to democracy. Central to a true democratic historical narrative is the commitment to listening to the other experiences and the willingness to rethink our present(s) in light of our past(s). The volume is divided in six parts: I. Institutional Realms of Memo...
Editores y políticas editoriales en Argentina (1880-2010)
El libro, en palabras de Pierre Bourdieu, constituye un «objeto de doble faz»: por su naturaleza tanto económica como simbólica, es a la vez mercancía y significación. El editor, por su parte, «es también un personaje doble, que debe saber conciliar el arte y el dinero, el amor a la literatura y la búsqueda de beneficio». Ambas dualidades representan el eje del presente volumen, que estudia la industria editorial argentina entre 1880 y 2010 y analiza los avatares de una autonomía amenazada, ora por la política, ora por el mercado. Así, el período se examina en distintas etapas. Sergio Pastormerlo estudia el surgimiento de un mercado editorial; Margarita Merbilhaá se ocupa de l...
La Universidad de Valencia. De la Monarquía a la República (1919-1939)
Este libro contempla la situación de la Universitat de València en los años de la dictadura de Primo de Rivera y la conciencia crítica de sus estudiantes, orientados por lo mejor del profesorado. Los esfuerzos que realizaron durante la República para hacer frente a lo que tan justamente se ha llamado “el asalto a la razón”. Sin embargo, lo que quisiera destacar es un rasgo esencial de esta historia de la universidad: la consideración del criterio utilizado por la autora, sin que el análisis se confunda con la fragmentación y con el explícito objetivo de proporcionar una síntesis. Así atiende al contexto cultural y político, los intentos de modernización, el desfase entre lo escaso de la financiación de la universidad y sus necesidades crecientes, que paraliza o retrasa aquellos intentos. Los problemas específicos de las facultades y un acercamiento a la biografía colectiva de sus profesores. En resumen, una investigación de historia cultural tratada en su relación constante con la historial social.
