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The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600
This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the re...
Art and Artifice in Visual Culture
This edited volume explores the notion of “artifice” in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe. Artifice has been regarded as a primarily Western phenomenon, playing as it does a central role in European art theory since the Renaissance. This volume proposes that artifice is better understood as a transcultural artistic phenomenon and requires far broader conceptualization across international contexts. It acquaints readers with works of art, visual modes of communication, and concepts originating in France, Germany, the United States, Japan, and China, and includes painting, sculpture, drawings, prints, photographs, film, and virtual reality/augmented reality (VR/AR) objects. Contributors demonstrate how practices of artifice function as both symbol and form, in parallel and divergent ways, in multiple cultural settings. The book will be of interest to scholars working in art history, visual culture, and material culture.
Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions
This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approac...
The Late Medieval Cult of the Saints
This is a book that explores the nature of sainthood in a region at the margins of medieval Latin Christendom. Defining the model of sanctity that characterized Transylvania between the fourteenth and sixteenth centuries, the study considers how the cults of saints functioned within specific local social and cultural contexts. Analyzing case studies from a multi-ethnic region influenced by both the Latin and Eastern Christian traditions, this book provides a close reading of little-surveyed primary sources and offers a comprehensive understanding of sainthood in Transylvania, enhancing the broader study of medieval saints’ cults and their relationship to social power structures. It will be of great interest to scholars of medieval religion, researchers in medieval studies, and religious studies scholars engaged in comparative research.
Symbolic Identity and the Cultural Memory of Saints
This volume examines the relationship between medieval cults of saints and regional and national identity formation in Europe both during and, to some extent, beyond the Middle Ages. It studies how collective identities have been expressed through saints’ cults and their appropriations in texts, visual representations, and music. Attention is given to various aspects of the role of medieval saints’ cults in European identity formation, as saints were used in the service of both religious and political agendas. Focusing on a range of European regions, this volume uses cults of medieval saints and their religious, cultural and political appropriations over time as a vehicle for studying changing cultural and social values. The articles here report research carried out under the European Science Foundation’s collaborative EuroCORECODE project: Symbols that Bind and Break Communities: Saints’ Cults as Stimuli and Expressions of Local, Regional, National and Universalist Identities (2010–2013/14), an international, interdisciplinary research venture funded by the National Research Councils of five countries: Austria, Denmark, Estonia, Hungary, and Norway.
Oxford Handbook of Medieval Central Europe
A unique, comparative presentation of a region that is often considered "forgotten," this handbook provides a variety of expertly informed perspectives on life and society in medieval Central Europe and its dynamic interactions across the continent.
Medieval Wall Paintings in Transylvanian Orthodox Churches
"This book deals with the religious painting related to the upper class of the Romanians who lived in medieval Transylvania and thhe neighboring western regions. Because of their social standing and historical chance, some of them left traces in the written sources and material culture of the Hungarian kingdom that survive to this day. Their world was at a crossroads. Socially, they were situated between peasants and full nobles, striving for and sometimes reaching the latter's status. Religiously, they lived close to the eastern frontiers of Hungary, a situation that enhanced their military role and therefore favored their social ascent. Artistically, Eastern and Western trends met in this border region. Artistic evidence contributes to our knowledge about the ways these people responded to a diverse and challenging environment."--
Medieval Wall Paintings in Transylvanian Orthodox Churches
"This book deals with the religious painting related to the upper class of the Romanians who lived in medieval Transylvania and thhe neighboring western regions. Because of their social standing and historical chance, some of them left traces in the written sources and material culture of the Hungarian kingdom that survive to this day. Their world was at a crossroads. Socially, they were situated between peasants and full nobles, striving for and sometimes reaching the latter's status. Religiously, they lived close to the eastern frontiers of Hungary, a situation that enhanced their military role and therefore favored their social ascent. Artistically, Eastern and Western trends met in this border region. Artistic evidence contributes to our knowledge about the ways these people responded to a diverse and challenging environment."--
En Sofía mathitéfsantes: Essays in Byzantine Material Culture and Society in Honour of Sophia Kalopissi-Verti
The 30 studies presented here are dedicated to Sophia Kalopissi-Verti, Emerita of Byzantine Archaeology at the National and Kapodistrian University of Athens. They cover a large variety of topics presenting unpublished archaeological material, suggesting new approaches to various aspects of Byzantine archaeology, material culture and art history.
