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Alvar Aalto, born 1898 in Kuortane in Finland, is one of the last of the works personalities of the twentieth century architecture generation. His buildings, from urban planning to simple residential buildings, function as a single organism. He was never interested in formal architectural theories. The path of each building is fascinating, from the first fleeting sketches to the completed work handed over to the client, and strongly defined by the personality of the architect. Everything remains alive and in motion, seems casual and natural as if it grew naturally out of the surroundings. The unique sense for the importance of individual components and construction phases makes it possible to identify a complex of individual style, even in modest construction tasks. Hence, Aalto's designs and experiments result in furniture, lamps, curtains, and many other things that make a house habitable. The central theme of his work is the unity of idea, form, and way of life.
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Alvar Aalto was remarkably inventive in architecture and industrial design. Moreover, his command of technology was integrated with a humanistic style of building, and like Saarinen and Frank Lloyd Wright he sought an organic synthesis of his structures with their surroundings. Aalto's success in approaching these ideals may account for the extraordinary spread of his influence on an international scale. In this broad study of Aalto's work, Malcolm Quantrill assesses its development in terms of two powerful sources-the Finnish National Romantic movement and the Modern movement in architecture. His critique of Aalto's most significant buildings and furniture designs is complemented by photographs of many stages of their creation, from the spontaneity of initial sketches to the completed detail. Professor Quantrill first met Alvar and Elissa Aalto at Muuratsalo in June 1953, and he has been studying and photographing Aalto's buildings ever since. His book provides striking insights into the work of one of the greatest architects of the century.
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