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«Es ist die große Leistung dieses Buches, das Einfache und Unfassliche von Aaltos Architektur fühlbar zu machen.»
«Es ist die große Leistung dieses Buches, das Einfache und Unfassliche von Aaltos Architektur fühlbar zu machen.»
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Alvar Aalto, born 1898 in Kuortane in Finland, is one of the last of the works personalities of the twentieth century architecture generation. His buildings, from urban planning to simple residential buildings, function as a single organism. He was never interested in formal architectural theories. The path of each building is fascinating, from the first fleeting sketches to the completed work handed over to the client, and strongly defined by the personality of the architect. Everything remains alive and in motion, seems casual and natural as if it grew naturally out of the surroundings. The unique sense for the importance of individual components and construction phases makes it possible to identify a complex of individual style, even in modest construction tasks. Hence, Aalto's designs and experiments result in furniture, lamps, curtains, and many other things that make a house habitable. The central theme of his work is the unity of idea, form, and way of life.
Unlike the mechanistic buildings it replaces, Eco-Architecture is in harmony with nature, including its immediate environs. Eco-Architecture makes every effort to minimise the use of energy at each stage of the building's life cycle, including that embodied in the extraction and transportation of materials, their fabrication, their assembly into the building and ultimately the ease and value of their recycling when the building's life is over. Featuring papers from the First International Conference on Harmonisation between Architecture and Nature, the text brings together papers of an inter-disciplinary nature, and will be of interest to engineers, planners, physicists, psychologists, socio...
Thinking Through Twentieth-Century Architecture connects the practice of architecture with its recent history and its theoretical origins – those philosophical ideas that lay behind modernism and its aftermath. By analyzing in straightforward and jargon-free language the genesis of modernism and the complex reactions to it, the book clarifies a continuing debate. It has been specifically written to connect issues of theory, history and contemporary practice and to allow students to make these connections easily. This is a history of twentieth-century architecture, written with close critical attention to the theories that lie behind the works described. Importantly, unlike other historical...
This volume presents a chronologically ordered and detailed account of the developing relationship between technics and poetics in environmental design in architecture through a consideration of the work of major names in the field.
A groundbreaking text on the history of the use of patents in architecture. Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects’ engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In Prior Art, scholar...
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