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Anne Brontë
^IAnne Bront%: The Other One is the first full-length study to provide a feminist reading of the life and work of this youngest Bront%. In the Bront% mythology of three talented, intimate, and devoted sisters, Anne has played, in George Moore's words, the role of 'literary Cinderella, ' relegated to the ashes of history for her failure to reach the standards set by her sisters. Elizabeth Langland demonstrates that the sisterly context, which enabled the work of all three, has proved detrimental to a full critical appreciation of Anne. Measured by the standards of Emily and Charlotte, Anne's work must inevitably suffer. Through a close examination of the life, poetry, and novels, Elizabeth La...
Nobody's Angels
Langland argues that the middle-class wife had a more complex and important function than has previously been recognized: she mastered skills that enabled her to support a rigid class system while unknowingly setting the stage for a feminist revolution.
Telling Tales
Publisher's description: Telling Tales offers new and original readings of novels by Charlotte Brontë, Anne Brontë, Thomas Hardy, Margaret Oliphant, and Mary Elizabeth Braddon. It also presents new archival material on the lives and stories of working-class women in Victorian Britain. Finally, it sets forth innovative interpretations of the complex ways in which gender informs the abstract cultural narratives--like space, aesthetic value, and nationality--through which a populace comes to know and position itself. Focusing on the interrelations of form, gender, and culture in narratives of the Victorian period, Telling Tales explores the close interplay between gender as manifest in specif...
Cranford
Elizabeth Gaskell’s episodic second novel, sometimes dismissed as nostalgically “charming,” is now considered by many critics to be her most sophisticated work. The country town of Cranford is home to a group of women, affectionately called “Amazons” by the narrator, whose seemingly uneventful lives are full of conflicts, failures, and unexpected connections. A rich commentary on Victorian culture by one of its most astute observers, Cranford owes its enduring popularity to the complex pleasures it offers the reader. This Broadview Edition provides an assortment of historical materials to put the novel in context, including Gaskell’s letters from the period of the novel’s writing, excerpts from texts read by the characters, illustrations from the novel and from contemporary periodicals, and other Victorian writings on industrialization, etiquette, and domestic life.
A Feminist Perspective in the Academy
Essays examine the impact of women's studies on scholarship in fields, includ American history, political science, economics, literary criticism, and psychology.
Critical Paths
The great expositors of Blake and those who have followed in their footsteps have clarified the most minute particulars of Blake's vision. Now, in the place of traditional exegesis, comes a significantly new set of critical problems and interpretive methods. In this volume of essays, the major shift in Blake studies, already under way in practice, is addressed, gauged, analyzed, and debated. The contributors assembled here, leading exponents of contemporary critical methods as well as close students of Blake, argue the grounds, purposes, and validity of each approach and then apply its method in detailed readings of Blake's works. We see deconstruction, psychoanalytic interpretation, feminis...
Charles Dickens's Bleak House
This guidebook examines Dickens' novel within its literary and cultural contexts providing an ideal orientation in the novel, its reception history and the critical material which surrounds it.
The Voyage in
The first book to study systematically & from a comparative perspective the female novel of development.
Women and Literature in Britain 1800-1900
These new essays by leading scholars explore nineteenth-century women's writing across a spectrum of genres. The book's focus is on women's role in and access to literary culture in the broadest sense, as consumers and interpreters as well as practitioners of that culture. Individual chapters consider women as journalists, editors, translators, scholars, actresses, playwrights, autobiographers, biographers, writers for children and religious writers as well as novelists and poets. A unique chronology offers a woman-centered perspective on literary and historical events and there is a guide to further reading.
Changing the Story
The feminist fiction movement of the 1960s-1980s was and is as significant a movement as Modernism, Greene argues here. Focusing on the metafiction of Doris Lessing, Margaret Drabble, Margaret Atwood, and Margaret Laurence, she traces the roots of this feminist literary explosion to the second women's movement and places these writers within a sociohistorical matrix, and at the same time creates a new literary canon. Greene also speculates on the future of feminist fiction in the current regressive period of edition (unseen), $17.50. Annotation copyrighted by Book News, Inc., Portland, OR
