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Book clubs are everywhere these days. And women talk about the clubs they belong to with surprising emotion. But why are the clubs so important to them? And what do the women discuss when they meet? To answer questions like these, Elizabeth Long spent years observing and participating in women's book clubs and interviewing members from different discussion groups. Far from being an isolated activity, she finds reading for club members to be an active and social pursuit, a crucial way for women to reflect creatively on the meaning of their lives and their place in the social order.
Inspired by a short article on her family background and a deep passion for history, author Mae Long Pagdin spends thirty-five years haunting pioneer cemeteries, library archives, municipal records offices, and locales in Ireland, Pennsylvania, and Ontario to research her Long family ancestors, beginning with the original emigration from Ireland by Patrick and Elizabeth Long in 1791. What she uncovers tells a fascinating tale of pioneer life, as the Longs face innumerable challenges in the New World, including raids by the Indigenous peoples and a rebellion against taxation on local whisky production in Western Pennsylvania, where they first settle. But a perilous move to Upper Canada, in qu...
With an introduction by Hilary Mantel, author of Wolf Hall. Originally published in 1956, The Long View is Elizabeth Jane Howard's uncannily authentic portrait of one marriage and one woman. Written with exhilarating wit, it is a gut-wrenching account of the birth and death of a relationship. In 1950s London, Antonia Fleming faces the prospect of a life lived alone. Her children are now adults; her husband Conrad, a domineering and emotionally complex man, is now a stranger. As Antonia looks towards her future, the novel steadily moves backwards in time. Tracing Antonia's relationship with Conrad, she comes to its beginning in the 1920s – through years of mistake and motherhood, dreams and war. One of his secret pleasures was the loading of social dice against himself. He did not seem for one moment to consider the efforts made by kind or sensitive people to even things up: or if such notions ever occurred to him, he would have observed them with detached amusement, and reloaded more dice. Observant and heartbreaking, The Long View is as extraordinary as it is timeless.
Fiction. A novel/"autofiction" about the complexities of being a woman, an artist, a mother, and a wife; a novel about persona and obsession and loyalty and repression; an exorcism. Told in four volumes over seven years, with emails, g-chats, and an "interview" with Lydia Davis (and a nod to Ms. Davis's "The End of the Story"), the style of PERSON/A is often experimental, pushing the boundaries between fiction and nonfiction, obsession and mental instability, female independence and a loyalty to current and former lovers, but with the ultimate loyalty being to oneself or one's writing, and is there a difference? and should we be ashamed?
This collection centers on the remarkable life and career of the writer and actor Elizabeth Inchbald (1753–1821), active in Great Britain in the late eighteenth century. Inspired by the example of Inchbald’s biographer, Annibel Jenkins (1918–2013), the contributors explore the broad historical and cultural context around Inchbald’s life and work, with essays ranging from the Restoration to the nineteenth century. Ranging from visual culture, theater history, literary analyses and to historical investigations, the essays not only present a fuller picture of cultural life in Great Britain in the long eighteenth century, but also reflect a range of disciplinary perspectives. The collection concludes with the final scholarly presentation of the late Professor Jenkins, a study of the eighteenth-century English newspaper The World (1753-1756).
Announcements for the following year included in some vols.
Reprint of the original, first published in 1876.