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A New Gnosis
Superhero phenomena exploded into 20th- and 21st-century popular culture by way of the visual medium of comic books. In an increasingly secular (yet spiritual) culture that has largely renounced “the gods” (and even religion), what does the return of the superhero through our own pop cultural mythologies say to us—or even about us? This collection of essays from leading and up-and-coming scholars in the fields of comparative mythology and depth psychology considers the return of the superhero as representative of our own unique emergent modern mythology: a wildly diverse pantheon that reflects back to us our most far-reaching hopes and (im)possible (super)human desires. In placing the ...
The Muslim Social
Since coming to power in 2002, Turkey’s governing party, the AKP, has made poverty relief a central part of their political program. In addition to neoliberal reforms, AKP’s program has involved an emphasis on Islamic charity that is unprecedented in the history of the Turkish Republic. To understand the causes and consequences of this phenomenon, Zencirci introduces the concept of the Muslim Social, defined as a welfare regime that reimagined and reconfigured Islamic charitable practices to address the complex needs of a modern market society. In The Muslim Social, Zencirci explores the blending of religious values and neoliberal elements in dynamic, flexible, and unexpected ways. Altho...
The Nature of the Atonement
James K. Beilby and Paul R. Eddy edit a collection of essays on four views of atonement: the healing view, the Christus victor view, the kaleidoscopic view and the penal substitutionary view. This is a book that will help Christians understand the issues, grasp the differences and proceed toward a clearer articulation of their understanding of the atonement.
Postcolonial Theory and Crisis
In the millennial transition the prefix 'post' had come to signify more and more not just the realisation of a 'coming after' but also of the impossibility of not seeing the present as still very much working through the wounds of the past. Yet with the appearance of pseudo-concepts such as 'post-truth' after an equally imaginary 'death of History', the logic of the 'post', itself always already under questioning, may appear to have outlived its usefulness. How to make sense of postcolonial theory in Europe in the present? One way might be to renew its significance as world conflicts have entered a new 'post-imperial phase' with the return of ideologies of empire in various parts of the worl...
Jamaica, the Land of Film
If Jamaica were an actor she would have appeared in more than one hundred and forty-one films. The list of movies where the name Jamaica plays a prominent part is probably closer to two hundred. This book chronicles over one hundred years of international film making in Jamaica from 1910, and provides many previously unpublished details of locations, actors and directors. As such, Jamaica, the Land of Film provides a comprehensive history which will be of great interest to all cinema aficionados and fans of Caribbean history.
The Oxford Handbook of Black Horror Film
Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. The Oxford Handbook of Black Horror Film presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences.
Crime Fiction in the Caribbean
Crime Fiction in the Caribbean: Reframing Crime and Justice is the first academic book to focus on crime fiction by anglophone Caribbean writers. It explores how contemporary writers experiment with the crime genre in order to convey, contextualize, and comment on crime and justice in Caribbean countries. Lucy Evans reads crime fiction as a versatile mode of writing that can be politically engaged, and that-in a Caribbean context-can expose power structures embedded in the region's multi-layered history of colonial conquest, genocide of Indigenous populations, plantation agriculture, transatlantic slavery, and indentured labour. This book covers fiction set in Trinidad and Tobago, Jamaica, G...
Visual Difference
To date, no text exists that focuses exclusively on the concept of postcolonial film as a framework for identifying films produced within and outside of various formerly colonized nations, nor is there a scholarly text that addresses pedagogical issues about and frameworks for teaching such films. This book borrows from and respects various forms of categorization - intercultural, global, third, and accented - while simultaneously seeking to make manifest an alternate space of signification. What feels like a mainstream approach is pedagogically necessary in terms of access, both financial and physical, to the films discussed herein, given that this text proposes models for teaching these works at the university and secondary levels. The focus of this work is therefore twofold: to provide the methodology to read and teach postcolonial film, and also to provide analyses in which scholars and teachers can explore the ways that the films examined herein work to further and complicate our understanding of «postcolonial» as a fraught and evolving theoretical stance.
Intersecting Aesthetics
Contributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions...
