Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Heaven and Hell
"Heaven and Hell: Salvation and Retribution in Pure Land Buddhism, will bring together approximately seventy paintings, sculpture, and works of decorative arts to survey the artistic expressions of the Pure Land faith. Pure Land Buddhism is based on belief in Amitabha, the Buddha of the Western Paradise, who promises salvation in his heavenly paradise after death to all those who will simply call upon his name. The appeal of easy salvation made faith in Amitabha one of the most popular forms of Buddhism throughout Asia, where it inspired the development of beautiful and diverse works of art. To introduce the subject, the exhibition will include a selection of works from the continent of Asia, such as the Gandhara region of India, Southeast Asia, China, Tibet, and Korea, which show the endurance of Pure Land motifs across continents for a thousand years. The majority of the show will be focused on Japanese works of art that illustrate how Amitabha will descend to earth from his heaven to greet a dying soul, scenes of hell, the numerous divine beings that are put on earth to guide the faithful and assist those who have fallen into hell escape that terrible fate"--
Enlightenment Embodied
Catalog of the first exhibition in the US to emphasize on the connection between the aesthetic considerations and construction techniques of Japanese Buddhist sculptors.
The Politics of Reclusion
The Chinese themes of the Four Graybeards of Mt. Shang and the Seven Sages of the Bamboo Grove figure prominently in the art of Momoyama-period Japan (ca. 1575-1625). Kendall Brown proposes that the dense and multivalent implications of aesthetic reclusion central to these paintings made them appropriate for patrons of all classes - the military, who were presently in power, the aristocracy, who had lost power, and the Buddhist priesthood, who forsook power. These paintings, and their attendant messages, thus serve as dynamic cultural agents that elucidate the fundamental paradigms of early modern Japanese society. Unlike traditional art history studies, which emphasize the style and history...
Annual Report
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Handbook to Life in Medieval and Early Modern Japan
Captures the essence of life in great civilizations of the past. Each volume in this series examines a single civilization, and covers everything from landmark events and monumental achievements to geography and everyday life.
Summoning Ghosts
Catalog of the exhibition Summoning Ghosts: the Art of Hung Liu, organized by Rene de Guzman on behalf of the Oakland Museum of California and presented March 16-June 30, 2013.
Sikh Art and Literature
Sikh Art and Literature traverses the 500-year history of a religion that dawned with the modern age in a land that was a thoroughfare of invading armies, ideas and religions and arts of the East and West. Essays by art curators, historians and collectors and religion and literary scholars are illustrated with some of the earliest and finest Sikh paintings. Sikh modernism and mysticism is explored in essays on the holy Guru Granth Sahib; the translations and writings of the British Raj convert, M.A. Macauliffe; the fathers of modern Punjabi literature, Bhai Vir Singh and Puran Singh; and the 20th century fiction writers Bhai Mohan Vaid Singh and Khushwant Singh. Excerpts from journals of visitors to the court of the diminutive and new translations of early twentieth century poetry add depth and originality to this beautiful and accessible introduction to the art, literature, beliefs and history of the Sikhs. Illustrated throughout with 42 colour and 92 black and white images, Sikh Art and Literature is a colourful, heartfelt, and informative introduction to the Sikh culture.
In the Moment
Filled with over 100 vivid works of art and insightful essays, In the Moment is an extensive work, featuring several Japanese art forms and crafts. Inspired by an early love of Japanese aesthetics, tech entrepreneur and avid art collector Larry Ellison has assembled an impressive collection of Japanese art spanning some eleven hundred years of history. The current selection, which introduces the collection to the public for the first time, is organized into four areas: sculpture, painting, lacquer, and metalwork. Highlights include a remarkable wood figure of Shotoku Taishi at age two, dating to the late 1200s or early 1300s; painted screens showcasing the use of classical Japanese and Chinese themes by Kano school artists in the late 1500s and early 1600s; and whimsical paintings of animals by innovative masters active in Kyoto in the 1700s. The catalogue also features lacquers representing the Rinpa and Ritsuo traditions of craftsmanship and design; examples of the Japanese armor maker's art; and bronze vases and objects from the Meiji (1868–1912) and Taisho periods (1912–1926).
The Middle Ages
Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
Spaces Within
"'Spaces within : installations by Michael Lin and Wu Mali' was presented at the Asian Art Museum - Choong-Moon Lee Center for Asian Art and Culture from June 11 through August 22, 2004. In their works the artists, both from Taiwan, probe the nature of public and private spaces and the boundaries between them. This exhibition was an expression of the Asian Art Museum's commitment to the presentation of the most significant contemporary work by artists from Asia or of Asian descent." -- book cover.
