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Women poetry.
Scientific Instruments between East and West is a collection of essays on aspects of the transmission of knowledge about scientific instruments and the trade in such instruments between the Eastern and Western worlds, particularly from Europe to the Ottoman Empire. The contributors, from a variety of countries, draw on original Arabic and Ottoman Turkish manuscripts and other archival sources and publications dating from the fifteenth to the twentieth centuries not previously studied for their relevance to the history of scientific instruments. This little-studied topic in the history of science was the subject of the 35th Scientific Instrument Symposium held in Istanbul in September 2016, where the original versions of these essays were delivered. Contributors are Mahdi Abdeljaouad, Pierre Ageron, Hamid Bohloul, Patrice Bret, Gaye Danışan, Feza Günergun, Meltem Kocaman, Richard L. Kremer, Janet Laidla, Panagiotis Lazos, David Pantalony, Atilla Polat, Bernd Scholze, Konstantinos Skordoulis, Seyyed Hadi Tabatabaei, Anthony Turner, Hasan Umut, and George Vlahakis. See inside the book here.
Leading economic historians present a groundbreaking series of country case studies exploring the formation of fiscal states in Eurasia.
İbn Hacer; ders okuduğu hocaları, eserleri, yetiştirdiği öğrencileri, ilişki ağları, medreselerdeki görevleri ile İslâm ilim geleneğinin öne çıkan isimlerinden biridir. Dönemin birçok medresesinde dersler veren İbn Hacer’in kayda değer bir sayıda öğrencisi olmuş, böylece ilim tarihindeki izleri çok daha kalıcı ve belirgin bir nitelik kazanmıştır. Yürüttüğü fetva ve kadılık görevleri de onun konumunun sağlamlaşmasına katkı sunmuştur. Bu sayede Memlükler dönemi ulemâ sınıfı içinde çok önemli bir statü elde eden İbn Hacer, kendi asrı ve sonrasında başta hadis olmak üzere İslâmî ilimlerin birçok disiplinine etki etmiş ve kaynak b...
This vividly detailed revisionist history exposes the underworld of the largest metropolis of the early modern Mediterranean and through it the entire fabric of a complex, multicultural society. Fariba Zarinebaf maps the history of crime and punishment in Istanbul over more than one hundred years, considering transgressions such as riots, prostitution, theft, and murder and at the same time tracing how the state controlled and punished its unruly population. Taking us through the city's streets, workshops, and houses, she gives voice to ordinary people—the man accused of stealing, the woman accused of prostitution, and the vagabond expelled from the city. She finds that Istanbul in this period remains mischaracterized—in part by the sensational and exotic accounts of European travelers who portrayed it as the embodiment of Ottoman decline, rife with decadence, sin, and disease. Linking the history of crime and punishment to the dramatic political, economic, and social transformations that occurred in the eighteenth century, Zarinebaf finds in fact that Istanbul had much more in common with other emerging modern cities in Europe, and even in America.
Wandering dervishes formed a prominent feature of most Muslim communities and although social misfits, were revered by the public yet denounced by cultural elites. This survey of this type of piety, traces the history of the different dervish groups that roamed the lands in Asia as well as the Middle East and Southeast Europe.
Dedicated to the topic of eroticism and sexuality in the visual production of the medieval and early modern Muslim world, this volume offers new insights and methodological models that extend our understanding of erotic and sexual subjects in the Islamic tradition. The essays shed light on the diverse socio-cultural milieus of erotic images, on the motivations underlying their production, and on the responses generated by their circulation.
Textiles were the second-most-traded commodity in all of world history, preceded only by grain. In the Ottoman Empire in particular, the sale and exchange of silks, cottons, and woolens generated an immense amount of revenue and touched every level of society, from rural women tending silkworms to pashas flaunting layers of watered camlet to merchants traveling to Mecca and beyond. Sea Change offers the first comprehensive history of the Ottoman textile sector, arguing that the trade's enduring success resulted from its openness to expertise and objects from far-flung locations. Amanda Phillips skillfully marries art history with social and economic history, integrating formal analysis of various textiles into wider discussions of how trade, technology, and migration impacted the production and consumption of textiles in the Mediterranean from around 1400 to 1800. Surveying a vast network of textile topographies that stretched from India to Italy and from Egypt to Iran, Sea Change illuminates often neglected aspects of material culture, showcasing the objects' ability to tell new kinds of stories.